>>2956871
Kinda wanna go for the bishi, but sharkteeth? wtf. Let's see where this goes

> Tomboyish, black eyes, abnormally sharp teeth, and short white hair

>>2956871
>Average looking, glasses, black eyes and hair that are tied into two braids
Completely unremarkable, almost a non-entity. Perhaps no wonder then that he never noticed our attentions.

>>2956871
>> Outstandingly beautiful, green eyes, and wavy blonde hair

>>2956871
> Tomboyish, black eyes, abnormally sharp teeth, and short white hair

>>2956896
This

haha, yeah they all have their own appeal.

From the title name, I'm curious as to whether this is some kind of thriller from a yandere perspective, or if its mahoushoujo, or what it is

>>2956887
>>2956899

>>2956896
>>2956901

Waiting for tie breaker

>>2956919
blonde
if im gonna be a edgy yandere I don’t want to actually look edgy

>>2956928
lol, fair point.

>>2956928
How is the tomboy edgy? If anything she has the description of a great white shark....

>>2956871
>>2956899
Switching to
> Outstandingly beautiful, green eyes, and wavy blonde hair

>>2956976
are you saying sharks are not edgy?

>>2956984
No they're not. I'm still switching votes due to me being paranoid about that leading us to be a youma or some shit.

>>2956896
>>2956901
>>2956928
>>2956976
> Outstandingly beautiful, green eyes, and wavy blonde hair

No one would believe of such a girl to be like this. After all, that soft, gentle demeanor could never hurt a fly.

You have all the perfect qualities of a woman, everything that a man needs, and most importantly, wants. But you do not want any other. For every time a boy confesses to you behind the school or at the the roof in the afternoon you always turn them down, hiding the disdain towards each one of them. And for every "why?" you answer "I'm not ready yet".

Girls alike admire you as well. They're not as dirty as the perverse ball of hormones that approach you every day. However, there's a few that gets on your nerves....but it's better not to think about them. After all, you have your hands full with one pest.

Going through the day is a struggle at every moment. If it wasn't for your brother, the thought, the fantasy, you would probably be a NEET. His impression takes priority.

Nawakubi: "Eiji, big sister will be a bit late than expected."

You whisper to yourself, your right shoulder becoming numb to the burdensome bag.

Interesting you are. Been watching you for a while now for a special recruit...You'll make the queen happy.

There are many things that you can't tell Eiji. God knows what will happen, just thinking about it causes you to recede and talk to yourself; chuckling maliciously under the guise of an innocent yet lovely girl.

> You always keep Eiji on sight. The moment he's taken is the end for you.
> You have several boxes, filled to the brim with pictures of Eiji
> You watch him sleep at night through a small peephole you've made since your rooms are next to each other
> Write-in

>>2956989
sharks are like an edgelords go to sea life though. the only fish edgier is piranhas.

>>2956993

>All three.

>>2956993
>write-in
>you have a doll made in Eiji’s likeness. You stuffed it with hairs you found of his. You carry it with you always.

>>2956993
>You bugged his electronic equipment so you know where he is at any single waking hour of the day
We NSA-Chan now.

>>2956993
Seconding >>2957000, and also all three default choices.

Except the peephole has been upgraded to a suite of hidden cameras, and the pictures have slowly been migrated to a secure digital storage.

>>2956993
> You always keep Eiji on sight. The moment he's taken is the end for you.

>>2957000
>>2957004

It took a while to make sense of the technology used but you eventually figured out to bug Eiji's phone. It proved useful since you can find him at anytime you want, not that you already know where he always is.

There's also the suite of cameras that you built into the walls of his bedroom. Yours was directly next to him so the effort was much easier than it had to be. Since then, you've compiled a massive data storage of pictures of Eiji on every angle; whenever he's sleeping, changing clothes, or doing his homework. Millions of shots within a secure digital box.

Eiji's a year behind you at age 16 while you're 17; being the older sister you carried out the tasks that came with it, watching and helping him at every turn since you were young. And you loved each second.

"Where should I put this? I shouldn't run into anybody if I avoid downtown." (Nawakubi)

> Find a trashcan within one of the alleyways
> Dump the bag into a river
> Toss it wherever, you can't wait to get home

>>2957045
>Find a trashcan within one of the alleyways.

>>2957045
>Dump the bag into a river
Throw some heavy rocks in the bag tie it off.

>>2957051
i like this

>not being a qt3.14 tomboy
I want to fucking puke

>>2957045
>>2957051
This

>>2957061
Drink some ipecac and then after a bit eat some saltine crackers with a glass of water, you'll feel better in a while.

>>2957103
Drink water change your socks.

>>2957051
>>2957058
>>2957071
>Dump the bag into a river

Crouching down carefully to pick up a few rocks heavy enough to weight the duffel bag down, you navigate through the neighborhood until you find a bridge that crossed over a river. The sizeable stream hummed of flowing water, nothing to you but a calming melody to many. Now, this is a grave.

"Sorry, Eri, we could've been friends. You just accidentally showed me how dangerous you are to Eiji." (Nawakubi)

Talking to the corpse that has yet to decompose, you stuff in the rocks so they act as an anchor. The river should be able to hide the body for a while if not forever, the deep water being enough to conceal the bag.

"One, two, three." (Nawakubi)

Tipping the duffel bag over the railings you watch it splash and sink, going down without a trace. You peek about the waters just in case there was some chance of visibility, quitting after a moment's try as the river has swallowed the corpse.

"Hello there." (???)

A voice sounded from the silence, almost otherworldly. It had a hum to it, somewhat like a low growl that a dog makes when a stranger crosses its owner's house. Yet, it was man. You froze the second you heard it; a witness? It'll be a hassle and you don't know what to do with another body.

> Turn around
> Attack
> Run

>>2957111
> Turn around

>>2957111
> Attack

>>2957111
>Attack
We need to be more careful in the future; witnesses are always bad news.

>>2957179
>>2957183
>Attack

Snapping around your body you pulled out an unused box cutter towards your target. You miss, the figure easily dodging your blade with a simple side-step. Raising your hand again to cut the person you stop immediately, your face draining of color when you gazed upon the sudden figure.

It looked reptilian, a tall being that easily towered over you by just casually standing. Its surface looked smooth, bleached white to which its blood vessels showed. It had no eyes, nor ears, only a long slit that lined its snout that showed a smile of a hundred sharp teeth. Below to the torso was an odd pair of shorts, tied with a rope to keep it up. The feet jetted backwards.

"Hehaha, spooky huh? I've been watching you for a very long time now." (???)

> Attack again
> Run
> Ask what it is
> write-in

>>2957193
>Ask what it is
>"What do you mean 'I've been watching you'? How? Why?"
Play along and extract information before we silence it.

>>2957193
>Ask what it is
>"What do you mean 'I've been watching you'? How? Why?"

>>2957202
>>2957226
these I doubt we can outrun it

>>2957202
>>2957226
>>2957234

You face contorts into antipathy, looking at the thing head on to where its eyes should be.

"What are you?" (Nawakubi)

"Oh, do forgive me I forgot to introduce myself. I am Albilio." (??? > Albilio)

"What do you mean by 'I've been watching you'? How? Why?" (Nawakubi)

You edge closer to the monstrous salamander, the box cutter aimed at its chest but held in position till further consequence.

"All I can say to you is that I'm good at hiding in many places. As for why, I've been sent to monitor you; a mission for recruitment. There's a certain someone who's been having complication with another certain group of individuals and is seeking ways of help to get rid of those pest, pest like the one you've dunked into this river. You have shown to have qualities deemed helpful in her endeavor and so I implore, come with me. I'll do my best to keep you alive if you comply." (Albilio)

The thing then bowed, his right arm under its chest and its left arm drawn out like a butler.

> "I have a brother to get back to, how long will this even last?"
> "Who is this 'certain someone'?"
> "I'll...come. Do anything funny and I'll sink this blade into you."
> write-in

>>2957279
>"Who is this 'certain someone'?"
>"And what happens if I don't? Right now is a bad time for me; I've got a busy schedule, as you should know if you've been watching me so closely."

>>2957279
> "I have a brother to get back to, how long will this even last?"
> "Who is this 'certain someone

>>2957279
>> "Who is this 'certain someone'?"
>And what's this about 'keeping me alive'? If you've been watching me, then you know I don't care about anything like that. Now leave- I have a brother to get back to.

Brother is everything. Brother is all.

>>2957332
>Anon getting into the right mindset.

>>2957294
>>2957329
>>2957332

"Who is this 'certain someone'?" (Nawakubi)

"That, I cannot tell, only when you agree to come with me." (Albilio)

You squint your eyes at him, the moonlight illuminating the sky when the clouds parted.

"How long will this even last? And what's this about 'keeping me alive'? If you've been watching me then you know I don't care about anything like that. Leave - I have a brother to get back to right now." (Nawakubi)

Albilio sighs, scratching the tip of his head and looking up to the moon, looking back down to you.

"If you say so. Would be pretty horrible if your brother kept on visiting another girl." (Albilio)

The monstrous salamander's grinned farther, putting up his arms in defeat to drive the point across. You couldn't believe what he had said; Eiji, with another girl?! When?!

> "Say that again!"
> "That's a lie!"
> "Who?! Who is it?!"
> "...Fine."
> write-in

>>2957412
>"Say that again one more time and no god or demon will protect you from me."

>>2957412
>>2957430
This sounds good

>>2957430
>>2957412
This is pretty much perfect

>>2957430
>>2957439
>>2957517

"Say that again one more time, there won't be any god nor demon that will protect you from me." (Nawakubi)

"Hehehehahaha! Yes, how exciting; it is true. Your brother Eiji has been with a few girls. Does this catch your attention now? My boss can offer you a deal that's most beneficial between the two of you, as was the goal of my mission." (Albilio)

Eyes blank, the emerald color of yours become flat and devoid of shade. How can this even happen? You go to the same high school so there shouldn't be any way for you to not know that Eiji has been hanging out with some girl. He's usually with his guy friends most of the time; not to mention that this salamander said that there was a few girls with him now. Few. Few?! That's one too many - the only one should be me! His caring big sister!

Plunging down the blade you try to at least graze the monster's skin but just like last time he gets out of the way easily; you slash at the air where he used to be, now behind you with a mocking smile, his hands behind his back like some sophisticated gentleman. Again, you twist around your torso to the right, cutting nothing but air. Repeatedly, Albilio plays around your assault, dancing on the rails.

"Don't be so mad, Nawakubi, that expression doesn't suit you. Please, I implore again, come. I give an opportunity." (Albilio)

He looks onto your exhausted state; bending downward you stood still to regain your breath, both eyes on the otherworldy figure. You weren't the most physically adept and it's clearly taking its toll.

> "...Fine, I'll go."
> "Mad? I'm not mad."
> "Stay still!"
> "Do I even have a choice at this point. I'll come if you tell me who they are."
> write-in

>>2957542
>"Tell me...tell me TELL ME! I don't care what I have to do but tell me who's ruining Onee-san's life without him realizing it! I have to fix it!"

Man, winding a Yandere around your little finger can be stupidly easy.

>>2957542
>"What will happen if I say no?"
He's trying to get under our skin, either that or he'll plan on mindfucking our little brother to force us to join, either way he's going to have to come from a different approach and actually TRY to get us to come over, because as far as we're concerned he's a used car salesman trying to sell us a lemon.

...wait, did I get the honorific right, or was it 'onee-chan'? I think I did.

>>2957542
>"What will happen if I say no?"
>>2957553
I think it's with an i instead of e

>>2957542
>”I’ll take this opportunity then, as long as you promise to tell me who they are so I can remove them”

lets play along for now. We can find a way to dispose of this disgusting creature after we figure out who those girls are.

>>2957562
What happens if this thing's boss binds the thing's soul to us? Or makes it so that we can't do anything about it?

>>2957588
we don’t know anything what are you even talking about

>>2957590
If we don't know anything, how do we know that the thing in front of us is real and not a part of imagination?

>>2957550
>>2957558

"What will happen if I say no?" (Nawakubi)

"Then it's your loss. Have fun being unable to keep your brother without resorting to get caught by the police. The girl whom you killed may be found sooner than you expect since her parents should be trying to find her by now. And trust me, hiding a corpse in a river is a good idea but it won't help in the long run. What if a person manages to pierce through the dark veil of the water's floor and see the bag with a hand sticking out, what if the bag itself drains somewhere only for a person to open it due to curiosity. There's also the fact that she told her friends about the little letter you slipped into her locker, saying that it's from your brother. My boss can arrange something where these possibilities are impossible." (Albinio)

> "Shut up! There's no way that will happen. Eiji and I are fated!"
> "I get it, I get it! I'll go. Only because I need to fix it. Eiji won't be stolen by me!"
> Stay silent
> write-in

>>2957611
> "I get it, I get it! I'll go. Only because I need to fix it. Eiji won't be stolen by me!"

>>2957611
>> "I get it, I get it! I'll go. Only because I need to fix it. Eiji won't be stolen from me!"

>>2957611
>"Very well, it appears that you have me in a place where I cannot do anything about..."

>>2957611
Changing this
>>2957621
To this
>>2957625

>>2957611
> "I get it, I get it! I'll go. Only because I need to fix it. Eiji won't be stolen by me!"

>>2957623
>>2957658

>>2957625
>>2957642

Need tie breaker.

Going to sleep.

>>2957694
Night QM

>>2957623
>>2957621
+1

>>2957623
>>2957658
>>2958084

(Nawakubi) I get it, I get it! I'll go. Only because I need to fix it. Eiji won't be stolen by me!"

(Albilio) "Good, I'm glad that we've finally reached to an agreement. Don't fret, all will come with good fortune once you meet my boss."

Albilio jumps of the railing, landing with but a faint sound that was almost quieter than the impact of a falling feather. Motioning his right arm he then spoke through a language thought incomprehensible by you; a flash of purple light was produced in front of him and what revealed to be was a circle. The shapes within it were geometrical, mysterious writings that was too unknown. Stepping inside, Albilio then ushers you in with him, lending out a hand for you to take. Confused, reluctant, and seething at the same time you ignore his gentle offer and step in as well, the circle's contents beginning to spin. Another glow of purple light appeared, masking the surroundings that was outside of the circle. Soon, you found yourself in a unfamiliar place.

You were now transported within a room; built with the upmost care, it was designed in a regal fashion. You seem to find yourself in a mansion.

Looking out of the window behind you, draped in a dark red curtain to which you pull them apart, the area was now a forest than a suburban environment. Albilio himself looked pleased to your perplexity, opening the only door within the room and bowing again.

(Albilio) "This way, it's best not to keep her waiting."

(Nawakubi) "Where are we?"

Albilio) "Here is my queen's household, planted and built under the trees. We are a bit for from your home but I assure you, this place is in walking distance if you look hard enough. The cover of the canopy is a great veil for the unsuspecting."

> "That thing you did - the flash of lights and that circle. What was it?"
> "I'll ask again, what are you?"
> "Eiji's probably lonely right now...This better be quick."
> write-in

Will come back at around 3:00 pdt.

>>2958148
>Say nothing, and just follow with a stonecold face, and bitterness in the heart

>>2958148
>Say nothing, and just follow with a stonecold face, and bitterness in the heart

>>2958148
>Say bothing and follow him.

>>2958148
This update has a lot of really odd wording, plus things like that 'for' that should be a 'far'. Maybe it's just me.

>>2958154
>>2958173
This is fine.

>>2958154
>>2958173
>>2958319
>>2958323

Turning from the window your face retreats to a blank expression, stone cold with a nasty bitterness in your heart. You enter from out of the room while ignoring the creature, going down the dark wooded hall.

Albilio catches up behind you, going in front of you to navigate the unfamiliar mansion. The whole place emanated a weird feel, like you knew something but couldn't put a finger on it. The structure continued to give no help to this question as it was inanimate; decorated with vintage items with some looking more archaic than the other.

At the corner of your eye a blip of blackness peeked around a corner. Albilio, noticing that you've slowed down came to it. He said something in a hushed voice, too low for you to hear; returning back to you he then resumed the tour.

(Albilio) "Pay no mind to that. Some of us can be a bit nosy."

> Stay silent
> "Says the spying amphibian. Don't get so friendly now that I know that you've been watching me."
> "I don't care, just get moving."
> Try to cut Albilio again
> write-in

>>2958810
> Stay silent

>>2958810
>Stay silent

>>2958810
> Stay silent

I'm kinda digging this stone cold killer vibe we've got so far. Probably works better on the bishi too, than it would have on the tomboy

>>2958841
>>2958843
>>2958923

You stay silent, only following him.

In the next corner, a staircase went down to what looks to be the foyer of the whole mansion. A glass window that was placed high on the front wall lets in the faint light of the moon, the branches of tall trees poking at the edge. In the ceiling, a giant chandelier that was kept off, adding more to the dark atmosphere.

Down to the first floor you then enter through two doors under the stairs, the ones from seconds ago, and into another maze-like hallway. Three paths that it branched: to the right, left, and to the front, easily confusing to one such as you who. But this was nothing to Albilio however, going straight down the first hall in front of him, paying ignorance to the countless other doors.

Every bit of the way there was something around the corner, a small whisper, or an eye that appeared then disappeared once you blinked. Unnerved, you guide you mind to other things, playing along with Albilio's current state and keeping head away from the corners that may harbor...something.

You arrive in front of a pair of glass doors. The translucency kept you from seeing the other side but you can make out a clear outline of a garden. Albilio opens the door to the outside, waiting for you to go through first. The unclear garden was now revealed of its contents; hedges lined the perimeter, beds and bushes of types flowers blooming in ripe fashion. Nonetheless, the attention was stolen by a marble table with chairs of the same material. There, a woman sat in one of the open seats, leering at you.

(Albilio) "Welcome to my queen's courtyard. Impressive it is, the flowers are especially pretty at this time of night. Do meet her right away, but please note, I'll sink my claws into you if you try to climb the steel fence. I'm not one to hold something against another - don't make yourself the first person to do so."

For a moment, you were stuck in place, studying the woman by the white stone table. Tensing yourself you then approach her, taking the last remaining seat.

Her hair was beautifully white, reaching down to a full body's length. She had eyes colored with a dark purple, similar in shade with the glowing circle from moments before, and a poise that showed power. The woman studied you as well but with a more analytic effort, her eyes scanning you from top to bottom. Albilio joined the both of you, standing by a little ways far.

> Wait for her to speak first
> "Tell me why I'm here."
> "Who are you."
> "Give me a reason why I shouldn't try to kill you."
> write-in

>"i've come as you wanted. Tell me why I'm here".

It seems clear that we cant do anything about this situation, so let's play along..
I dont think im gonna like her, but that's no reason to self destruct by acting hostile or such

>>2959027
>"i've come as you wanted. Tell me why I'm here".
>>2959055
True, but always have a plan to kill everyone you meet.

>>2959074
Agreed, especially for this protagonist. But for now, im getting the vibe that the lizard alone is way above our lvl..

>>2959096
considering how easily he sidestepped us and the fsct that hes a giant lizard yeah no surprise here. He isn’t a teenage girl like our other victim.

>>2959055
>>2959074
>>2959096

(Nawakubi) "I've come as you wanted. Tell me why I'm here."

(???) "Right away to the point? No matter, it'll just speed things up nicely. You're here because I want you to get rid of a thorn in my side. And it just so happens that you are the best candidate for the job. Hanano Nawakubi, I am Morgan le Fay, and I want you to be a magical girl to get rid of other magical girls."

The woman smiled, her eyes turning from a deep purple and into a scarlet red. The whistling of the wind now accompanied the stagnant air, awaiting for you to answer.

> "I can believe you this much. The lizard is more than enough proof to believe in...'magical girls'. But how am I to do this exactly?"
> "Tell me. How am I the best candidate for you?"
> "Magical girl? Like the ones I used to watch as a kid?"
> write-in

>>2959127
>He isn’t a teenage girl like our other victim.
For now! We should use the magic power that we will inevitably get to turn him into a cute little girl and strangle her while staring at her newfound eyes. We will be the first to gaze into her soul, violating her privacy in a manner the she didn't even considered possible before. So is the fate of every eyesore that distract us from Eiji.

>>2959169
> write-in
"Magical girl" can be a very broad term for those that are unaware of its... reality. I need a quick rundown about the details of this specific "'magical girl system" before committing. I may have too many misconceptions about it.

>>2959169
>Fine. But how does this benefit me?

>>2959169
>"Before we get into the details: what reason do I have to believe that you'll hold up your end of the bargain, that you aren't hiding any information from me that would affect my decision, or that you won't similarly dispose of me once I'm no longer useful?"

>>2959169
>"You're going to have to be explaining this in detail."

>>2959169
> "Tell me. How am I the best candidate for you?"
Also please
> write-in
"Magical girl" can be a very broad term for those that are unaware of its... reality. I need a quick rundown about the details of this specific "'magical girl system" before committing. I may have too many misconceptions about it.

We're trying to make sure that we don't get Makoda'd?

>>2959190
>>2959203

(Nawakubi) " 'Magical girl' can be a very broad term for those that are unaware of its... reality. I need a quick rundown about the details of this specific "'magical girl system' before committing. I may have too many misconceptions about it."

(Morgan) "Thorough with your questions are you? Well then, a 'magical girl' is a girl who has obtained magical power through various means: contracts, training, or just being born with the ability. However, these capabilities aren't limited to the opposite sex. We just call males by the traditional term, wizards. Additionally, the original term for 'magical girl' was witch. The world of magic is only known to very few people, and as such, the practice of magic has been lost in modern times."

(Nawakubi) "Then tell me, how am I the best candidate for you?"

The woman laughs, hiding her mouth with her palm.

(Morgan) "Excuse me. To be clear, you are one of the very rare people to have an abundant amount of magical energy. A point of envy for many. With just one push, you'll be as powerful as two or even three witches...Maybe enough to keep your little dear brother forever~"

> "R-Really?"
> "Are you offering that possibility?!"
> Stay silent
> write-in

>>2959282
Or Uta Kata'd, fail a cosmic test and get our brother killed.
Or get an alter ego like in BRS or Figure 17, and she NTR us.
This can get much worse than madoka.

>>2959297
>"Do you have any evidence to back up these claims of yours? Because witch or not, if I find out you're /lying/ to me on this, I /will/ find a way to make you pay."

>>2959297
>How many Magical Girls do I need to kill? For how long will I be in your debt?

>>2959305
I hadn't even heard of those. Yikes.

>> "R-Really? Wait, how do I know that you aren't lying?"

>>2959297
>As nice as keeping my brother with me sounds, what is the catch? Nothing is free on this Earth and i don't think you are the exception.

>>2959334
Supporting

>>2959365
This is also good too.

On a side note, i like that we are going with the femme fatale /cold and calculating sociopath route

>>2959334
>>2959369
>>2959365
>>2959376


(Nawakubi) "As nice as keeping my brother with me sounds, what is the catch? Nothing is free on this Earth and I don't think you are the exception. For how long will I be in your debt? How many girls do I need to kill?"

(Morgan) "I am a woman of promise. This will be most beneficial for us; a certain group of magical girls has been defying my every move of reviving Mordred. Kill or apprehend them, and in turn, you'll be able to do anything that your heart desires. I know of your love and the lengths you go."

> "Why do you want to revive this Mordred?"
> "Yes, I love Eiji very much. I'll do anything to preserve our fate together."
> "I understand the gist. I accept, but only because to keep Eiji safe."
> write-in

>>2959402
> "I understand the gist. I accept, but only because to keep Eiji safe."

Alright, let's get this plot in motion.

>>2959402
>Fine, as long as this Mordred being wont threaten my brother or myself, i agree.

>>2959402
> "I understand the gist. I accept, but only because to keep Eiji safe."

We don't care much about the why's. Gibe Onii.

>>2959435
This.

>>2959455
We have to be smarter than that if we want to have our brother in our clutches for a loooong time.

>>2959402
Switching from
>>2959428
To
>>2959455

>>2959435
>>2959455
>>2959457
>>2959519

(Nawakubi) "I understand the gist of it. If this Mordred won't be a threat, then I agree, only because to keep Eiji safe."

(Morgan) "That's great! All we have to do is amplify your magical energy."

Morgan gets out of her chair, the marble grating against the clean pavement with a forced sound. She tells you to stand up as well and come to her; Initially hesitant, you do, Morgan creating a pair of circles with characteristics very much like the one Albilio used.

With one swift motion, Morgan then sinks her hands into your chest, the sensation of something inside you coursing through your body. You became dazed, constantly changing from hot to cold, happy to sad, crazy to sane, the slew of emotions and motives driving down your veins like a highway. Soon a pain emerges, inhabiting your ability to scream. A feel of intense burning deep within you.

Morgan wrenches her hands out from where she put them, the pain immediately going away without and lingering feel. Conscious again, you were about to give her a piece of your mind but another sensation came over you, way different from the brief hell that you experienced.

Your body becomes cloaked in light, changing into...

> A suit of black armor
> A pirate captain's clothes
> A formal military uniform
> A frilly black dress

>>2959601
>> A frilly black dress

Come on, we gotta keep SOME things traditional. Besides, it's classy.

>>2959601
> A formal military uniform

>>2959601
>A frilly black dress with gold accents.
We need to play our glamorous part too.

>>2959601
> A formal military uniform

>>2959601
>A frilly black dress with gold accents. With a majestic military longcoat that has dark blue accents.

I like longcoats.

>>2959646
I'd be fine with dress + longcoat.

>>2959614
>>2959629
>>2959646

...A frilly black dress with a military coat.

Both pieces of clothing had golden accents, insinuating a royal presence of an army. Soft and silken to the touch, the dress contrasted with the hard leather that carried a slight weight, but styled in a perfect fashion nonetheless. The coat's sleeves hanged from your shoulders, the wind blowing them back. Looking at yourself you made a comparison between you and the cosplayers online, often come across them to research Eiji's interest.

Thrice; a third sensation came, but at my hands. Looking down, something was materializing inside my palm, a light building itself from thin air and into a shape.

(Morgan) "Every magical girl has a catalyst - a tool of sorts to use magic. Others, like me, and those who follow the traditional path don't use one; I've been around for a long time to master the art."

Listening to Morgan's explanation you turned attention to the masked shape that's within your hand...

> A sword
> A spear
> A bow
> A stave

>>2959814
>A warscythe.

Or something else, I dunno. Something that speaks to our cold-blooded yandere-y nature.

>>2959814
>A Colt 1911

>>2959817
>>2959814
>Twin Colt 1911s
I want to gun kata my heart out.

>>2959814
Ha. I read "stave" as "slave" at first.

>A Spear
The King of Weapons for the Queen of Black Hearts.

>>2959814
> A spear

>>2959824
>Fuck yeah!

>>2959814
>Twin colts 1911

>>2959817
>>2959824
>>2959837

Funny, thought about putting an option for pistols.

>>2959842
It makes sense since we're a more tech savvy Yandere.

>>2959842
If we are going to go with a MG assassin, we should look distinct from the rest

Okay, before I forget.

Liking this so far. The opening characterization was strong, setting is familiar enough. There's a couple of things I'd critique about it, though.

1: You're flipping between second-person (You do X) and first person (I do X). You need to pick one and stick with it. I'd recommend second-person, more common, better immersion.

2: You don't need to preface every piece of dialogue with (Character). A smart rule of thumb is 'Only make a new paragraph/line when someone other than the first speaker of the paragraph starts taking an action.' Doing that, plus prefacing it with a minor action that the character does before they start speaking, such as:

>Morgan smiles at you, a thin yet confident expression. "Every magical girl has a catalyst - a tool of sorts to use magic. Others, like me, and those who follow the traditional path don't use one; I've been around for a long time to master the art."

See how that kinda naturally infers who's speaking? Reads less stilted, less like a play script where you're mentally taking on the name before every line. You can also notify who's speaking mid or post sentence, simply like:

>"Every magical girl has a catalyst," Morgan explains. "A tool of sorts to use magic...."

or

>""Every magical girl has a catalyst - a tool of sorts to use magic. Others, like me, and those who follow the traditional path don't use one; I've been around for a long time to master the art." After her explanation, Morgan smiles.

Generally I'd recommend notifying who's speaking before or during the actual dialogue- you don't want readers to wonder who's speaking for too long without taking them out of the flow of things. But any of those three methods work.

Keep it up! It's cool to see new quests like this get an audience. So long as the writing quality improves, and you're good at describing locales and actions, I think this will be a real winner.

>>2959842

>>2959874
Will take note

Katyusha
- A pair semi-automatic pistols that shoots bullets made of pure magical energy
- Roaring Love Song of Soldiers: Create a giant magic circle that shoots a continuous barrage of magical bullets.

Within both of Nawakubi's hands were two pistols, sharing the same color palette with her current clothes. Morgan's face showed an impressed look, scanning her again and smiling profusely at the development-- no, she was exceedingly happy. Nawakubi, still dazed, perhaps from the side-effects of Morgan's abrupt actions, thought to herself. "A magical girl..." Nawakubi said in her mind, having conflicting images between the romanticized idea of one and yourself.

"Interesting indeed, very grandiose compared to the young and lively costumes of other magical girls," Morgan commented, breaking the silence. "But I suppose it does fit a person of such a twisted personality."

> "Can I go home now. I'm getting antsy, and keeping me here from Eiji is going to drive me nuts.
> "Tell me, who are the people that you want me to get rid of. The sooner I can get this done, the better."
> "Twisted? It's called love."
> Shoot your guns and test them out.
> write-in

>>2959903
> "Twisted? It's called love."
> "Now tell me, who are the people that you want me to get rid of. The sooner I can get this done, the better for both of us."

>>2959903
>"I don't suppose you have a spot I can test these shooters with?"

>>2959903
...and now you started using THIRD-person perspective.

Okay, just for note:

>First-person: "I'm going to the store."
>Second-person: "You (the MC) are going to the store."
>Third-person: "Nawakubi is going to the store."

It gets confusing REALLY quickly if you keep flip perspectives, no matter WHAT'S happening. You need to stick to one, in ALL aspects.

>>2959923
And this isn't even getting into past/present tense, which you're also flipping between. Read over your entries a couple of times before you post them, figure out how you want to say WHAT you want to say.

>>2959923
>>2959927

Ah, okay. Noted twice.

>>2959903
> "Tell me, who are the people that you want me to get rid of. The sooner I can get this done, the better."
> "Twisted? It's called love."

>>2959903
> "Twisted? It's called love."
> "Now tell me, who are the people that you want me to get rid of. The sooner I can get this done, the better for both of us."

Forgot to actually vote.

>>2959911
>>2959986
>>2959992


"Twisted? It's called love. Now tell me, who are the people that you want me to get rid of. The sooner I can get this done, the better for the both of us," you say, staring down the witch.

"Love is always twisted, it just depends on which is more twisted than the other, but I digress. The group in question are a couple of girls about your age, four members in all, and had confronted me ever since they found out what I'm doing - as previously stated. Albilio here tried to scout out some more information but he only managed to get one very important piece of intelligence before he ran into them himself."

"Then tell. There's no use in withholding it from me," you command impatiently.

Morgan waves her hand down playfully, "Settle down now. It just so happens that they had been meeting up with your dear little brother for a long time now. Fujiwara Mako, Otobe Ika, Remini Kana, and Aeki Satou," listing each of the girl's names.

> "Impossible, I always know who Eiji meets!"
> "Fujiwara...Otobe...Aeki, I'll memorize their names. For now, can I go?"
> "I think I saw them before. Damn rats."
> write-in

>>2960031
>"Do you know why?"

> "Fujiwara...Otobe...Aeki, I'll memorize their names. For now, can I go?"

Going to sleep.

So, 4 specific targets? Interesting. Wonder how long this quest will be, then. If they won't try to twist the promise somehow or if something else happens to prolong the issue.

>>2960031
>"Do you know why?"

> "Fujiwara...Otobe...Aeki, I'll memorize their names. For now, can I go?"
>>2960051
Goodnight QM

>>2959923
Easy on the critique, too much of it can be demotivating

>>2960031
>>2960041
+1

Interesting, it seems our dude is the protagonist in a mahou shoujo action anime, supporting the cast of 4 heroines who fall for him one by one.. How sweet

>>2960401
or we can poison them!

>>2960401
haha time for protecting our one true love

>>2960041
>>2960062
>>2960401

"Do you know why?" eager for more.

"I have some ideas but they're just guesses. However, knowing you, and the intense amount of magical energy you have, your little Eiji might have the same capabilities and maybe that's why. But we'll have to wait and see first."

Morgan sits upon the marble chair again, laying back and crossing her arms while you are left standing. This little amount of time was enough for you to recede into your mind, thinking hard about the four names that Morgan gave to you. Fujiwara, Otobe, Remini, Aeki, Fujiwara, Otobe, Remini, Aeki, Fujiwara, Otobe, Remini, Aeki...

"Fujiwara...Otobe...Remini, I'll memorize their names," you mumbled, the names leaking from your mouth. You then address Morgan who gave no thought about your incessant chant, "For now, can I go? I had came here like you asked and I think it's time for me to finally return."

"Of course," Morgan, agreeing, "We had finished our exchange between us. Albilio, may you please?"

The white creature chuckles before he bows, producing the same circle on the ground. Without eyes, he appears to be blind but underneath that alien skin was two of them, intense upon you. This was of no malice but it still gives an off feeling.

"This here magic circle will teleport you to your room. It will suffice no?" Morgan says.

You nod, "It will do," stepping into it just like before, quiet.

The circle started spinning, the characters gradually rotating into a high speed and shrouding everything outside its border with a white light. Morgan was smiling throughout the whole process, her eyes changing back into a purple hue. All was eventually covered by the light, warping you to your destination.


The fading, you find yourself inside your own bedroom. The switches had been turned off when you left for school, and still is, the entirety of the space coated in darkness. Reaching for the switch, the light within the center of your ceiling illuminates; vision cleared, you see that your clothes had returned to normal.

Looking around your room, you check for anything different inside. Nothing was moved, thankfully, and all remained the same. Especially the...

> Bulletin full of Eiji's pictures, ranging from his younger years to the present.
> Full body pillow of Eiji that was abnormally detailed and precise
> Numerous cosplay outfits, all resembling different characters that matches Eiji's interest
> write-in

>>2960779
Will come back just like last time, 3:00 pdt

>>2960779
> Numerous cosplay outfits, all resembling different characters that matches Eiji's interest
if we live with him we must be smart enough to exercise some discretion no? unless we got a hidden area...

>>2960784
+1, cosplay seems like the fun idea here.

So basically our job is to murder those girls right? Or otherwise allow shady lady to summon her thing without interruption..

So we can transform as get two guns when we do, but it didnt seem like flying or super level physical stats were part of the deal

>>2960779
>> Numerous cosplay outfits, all resembling different characters that matches Eiji's interest
Ambiguously gay female friend who has absolutely, definitely no interest in our little brother with video camera optional.

>>2960786
>flying
>super physical stats
who needs that when you have bullet. Also I assume we have some level of agility.
>>2960787
>gay friend
too risky, she could just be faking it to get to our brother

>>2960779
>Numerous cosplay outfits.


>>2960786
You can fly if you apply enough firepower in the opposite direction.
Bullet powered propulsion here we come!

>>2960779
> Bulletin full of Eiji's pictures, ranging from his younger years to the present.
>>2960792
Like Xanxus in katekyo hitman reborn?

>>2960797
I dont know what the fuck is that, but i'll say yes.

File: 0e0bb7369bb49bc8ac415668e(...).gif (855 KB, 236x164)

855 KB GIF

>>2960813
Hope it's not too small.

>>2960787
If youre talking about a female gay friend who's into protagonist, im all for it

>>2960925
I wouldn't mind it too...
>tfw we stalk our brother but our bff also stalk us

>>2960925
>>2960932
Oh look, yuri fags

>>2960949
Eh, each to his own. I would wish more people had the same taste, that would make this sort og thing way easier..

>>2960779
This is really good so far. Very curious to see where it goes from here.
> Numerous cosplay outfits, all resembling different characters that matches Eiji's interest

>>2960958
I am disappointed that no one noticed it was a reference to Daidouji Tomoyo, we gonna be evil yandere Sakura

>>2961028
Wish i could have gotten the reference, but I never watched that show.. Does she make it good? I dont imagine the rest of it will appeal much to me

>>2961028
theres so many animes tho

>>2961037
Mirai Nikki you could start there.

>>2961042
She's like that? Huh..

2018/10/13 2: 42, Do you feel like bald me with Abramelin's moon magic? Dogeza? five-line thought ??
2: 22, Goblin? Dogeza? Tosho □ (Zebos?)? Crouching (contamination + contamination + almond?) Almond? poison??
2: 18, is he an answering machine? Sea monkey? slave? 2:20 Shamballa thinks eavesdropping ?? Dogeza? bipolar?
1: 53, Dogeza? Mombid? Hi Ebenki? Mold (mold)? Goblin? dirty?
1:50, a feeling that the hole of the nose expands! Mold (mold)? Is it because of? Do you like abramelin? Cecum? Mariko?

File: naruhodo-hmmmmmm-29262742.png (218 KB, 500x384)

218 KB PNG

>>2961057

>>2961057
What the fuck.

>>2961057
Bot?

>>2961082
A bot that copypasted another bot?

>>2960784
>>2960786
>>2960787
>>2960792
>>2960989

Especially the numerous cosplay outfits stored behind the closet, all resembling characters that matches Eiji's interest.

Closing the closet door, a wave of comfort comes to you. This night was initially planned to be simpler but now things have evolved into a complicated mess that you can somewhat understand and act upon. Your restfulness was then replaced by despisableness, remembering that a couple of girls had been with Eiji under your nose. The bitterness in your mouth was almost enough to make you gag.

"Eiji, have you seen your sister? She's been out for along time and hadn't called me on her phone. Did she join a club?"

"I don't think so. We usually walk back home together but this time she didn't."

Downstairs, you hear your father and brother's conversation. Ever since that overgrown salamander showed itself to you, you never had time to call either of them.

> Go downstairs
> Stay in your room
> write-in

Do we have an excuse for if we just walk downstairs?

>>2961540
> write-in
Sneak back outside, then enter through the front.

Not sure what to use as an excuse though.

>>2961540

Voting for
>>2961691

Our excuse was that we went to the park/place we like and lost track of time. Simple to believe, specially since we seem immaculate.

>>2961540

what >>2961691 and >>2961758 said, then.

>>2961540
>>2961771
Sounds good

>>2961540
>>2961758
+1

>>2961758
+1

>>2961758
We should write down and memory this version of the events. Also fabricated some evidence, we need this if someone find the corpse and the investigation gets going.

>>2962144
Good point, I didnt consider the police stuff..

Does the MC have any friends or is she totally devoted to her brother?

>>2961691
>>2961758
>>2961771
>>2961782
>>2961794
>>2961953

Knowing that it'll be strange if you just walk downstairs, you decide to pretend that you're coming back home. Pulling up the blinds of the wide window on one of your bedroom's walls, you unlock it so you can push it open. The air drafts in like it was waiting to enter, and this being their chance. As for you, staring down the couple levels from where your room is located, you determine yourself to vault out of the window.

Falling into the ground was surprisingly harmless. No pain came to you once your feet collides with the grass-layered dirt and cement. You didn't take too long to think however, going straight to the front door of your house and pushing the doorbell on the side.

A man opened the door, your father, looking worried as he usually is.

"Nawakubi? Where had you been? Got me really worried," he says, yourself realizing that he's wearing his apron.

"Sorry, Father, I lost track of time once I made it to the park. A man was selling ice cream there."

Your father listened to your excuse, sighing, "Fine, fine...You now here is all it matters."

> "Is mother still at work?"
> "Aren't I suppose to cook today?"
> "Where's Eiji?"
> write-in

>>2962347
> "Aren't I suppose to cook today?"
> "Where's Eiji?"

>>2962347
>> "Where's Eiji?"

>>2962246
I suppose she'd have a handful. For practical reasons if anything.

>>2962347
> "Aren't I suppose to cook today?"
> "Where's Eiji?"

>>2962358
>>2962360
>>2962377

"Aren't I suppose to cook today," you inquired.

"Since you've been gone I had to make up something, it's curry. Made it mild as well."

"Oh, thanks, Father. Say, where's Eiji?"

"Eiji? He's at the living room right now."

While going inside and locking the front door behind you, your father returned to the kitchen to tend to the food. You first seek out Eiji, sitting on the couch and watching the TV. He has yet to know your presence.

> Throw yourself onto him. "Eiji, I love you~!"
> Get his attention with a stoic face. "I'm back."
> Simply sit beside him
> write-in

>>2962463
> Simply sit beside him
> write-in
Lean towards him and try to smell him, searching for unfamiliar perfumes, he has been with 4(four) girls. We need to know how far this has gone.

>>2962463
Seconding >>2962474
>"Hiiii~!"

>>2962463
> Simply sit beside him
> write-in
Lean towards him and try to smell him, searching for unfamiliar perfumes, he has been with 4(four) girls. We need to know how far this has gone.

>>2962463
Do we have a bust size like D cup or E to emphasize our cleavage that we subtlety shows to our beloved little brother? Right? I mean it's not titty monster size.

>>2962463
>> Simply sit beside him
>> write-in
Stealth tickle.
>>2962643
Most probably well developed, but not cleavage baring like those gyaru sluts that we secretly chase away from our brother. Isn’t our image that of the school idol?

>>2962474
>>2962555

"Huh? Oh, Onee-san, you're back," Eiji says while you sit next to him on the couch.

You then start to lean towards him, smelling his body for any unfamiliar perfumes. All the while, you sneakily show your cleavage in an extra attempt to gain favor. This had an opposite effect - Eiji staring the other way nervously.

"Onee-san, what are you doing?" he says, trying to move a ways over.

>Roll 1d100 to find any foreign smells
>Best out of three
>Crits are 1-10, 90-100

Rolled 51 (1d100)

>>2962945
SCENT COME FORTH INTO MY NOSTRILS!

Rolled 10 (1d100)

>>2962945
Yandere powers activate!

>>2962976
Fucking kill me

Rolled 4 (1d100)

>>2962945
Lets roooll

>>2962945
How long should we wait before getting a chance to roll again?

>>2963016
Never mind.
>>2963013
Fucking hell anon you were supposed to save our asses!

>>2963026
Welp. It seems that our dear brother took a bath before we arrived and we also remember we have the shittiest sense of smell short of someone that can't smell at all.

>>2963035
He. Took. A. Shower. Why? To wash the stench of skanky bitches off him?

>>2962961
>>2962976
>>2963013
>4

You completely fail to pick up any scent that belonged to another girl, making yourself look silly. Instead, the smell of body wash lingers from Eiji, he himself getting off the couch due to your advance.

"Did you take a shower before I came home?" you ask irritably, closing what little distance you have left.

"Yeah, why? Thought I'd take one," Eiji answered right after. "You seem to be excited somehow."

> "You're suppose to wait for me! We always bathe together!"
> "You know how am I towards other girls, especially when they approach you."
> "Tell me, have you been meeting anyone?"
> write-in

>>2963062
> "You're suppose to wait for me! We always bathe together!"
> "Is it because I was late wasn't it?..."

>>2963062
> "You're suppose to wait for me! We always bathe together!"
> "Is it because I was late wasn't it?..."

>>2963062
>> "You're suppose to wait for me! We always bathe together!"
>> "Is it because I was late wasn't it?..."
GUILT TRIP AHOY! LETS PUT OUR BEST PUPPY EYES FOR EXTRA DAMAGE

>>2963077
>>2963091
>>2963109

"You're suppose to wait for me! We always bathe together!" you cried. "Is it because I was late wasn't it?..."

"N-No, not at all! And we haven't bathe together since we were kids, Onee-san. Even then, you try to get into the bath with me whenever I refuse. There's a reason I double check the lock on the bathroom door."

> "Are you at that rebellious age, Eiji? You used to always come with me into the bath."
> "Do you not want to accept your onee-san's love?"
> "What's wrong with bathing together? It isn't a big deal."
> write-in

>>2963145
> "Are you at that rebellious age, Eiji? You used to always come with me into the bath."
> "Do you not want to accept your onee-san's love?"

>>2963145
>> "What's wrong with bathing together? It isn't a big deal."
>> "Are you at that rebellious age, Eiji? You used to always come with me into the bath."

>>2963145
>> "What's wrong with bathing together? It isn't a big deal."

Rolled 21 (1d100)

>>2962945

>>2963273
Oh shit I'm late...uhh we can salvage this guys
>Go to the laundry and smell his underpa- I mean his shirt! See if you can smell something there....maybe

>>2963145
> "What's wrong with bathing together? It isn't a big deal."
After all, we are siblings!

>>2963289
We're trying to get him to see her as a woman. Trying to use the sibling excuse might backfire.

>>2963166
>>2963176
>>2963216
>>2963289

"What's wrong with bathing together? It isn't a big deal. Are you at the rebellious age, Eiji? You used to always come with me to wash."

"It's just that..." Eiji paused, "It's just that we are older now, and it's embarrassing."

"Why are you embarrassed? You know that onee-san always loves you."

"Well, you lack privacy. I'm also grown-up too."

From the kitchen, father called to the both of you that dinner's ready. The spices' aromatic air leaked into the living room; Eiji's stomach grumbles, himself soon taking off into the kitchen and taking plate. At the front door, a person came inside the house as well. It was your mother, groaning and throwing her suitcase aside while unbuttoning her suit.

"Hello, Nawa," your mother says, calling you by your pet name. She then smells the air, taking in the scent of food, "Curry is it? Good, I was getting hungry after work. Seriously, the chief doesn't know when to lay off."

"Hello, Mother," you greet back. "Forgot to make dinner today so father had to make it."

"That's okay, as long as there's something on the table. And besides, your father would take any opportunity to cook."

> Eat dinner
> Go take a bath first
> Go to your room
> write-in

>>2964423
>> Eat dinner

I mean. Food.

then

>Go to our room.

Wanna get this hunt started.

>>2964423
>> Eat dinner

> Eat dinner

>>2964423
> Eat dinner

>>2964456
>>2964484
>>2964521
>>2964625

Joining the rest of your family, you take a plate of your father's curry yourself. As always, you claim the seat next to Eiji, staring him down with a smile while you both eat. To his discomfort, he quickly finishes his own, thanking for the dinner and making his way to his bedroom.

You finish your food short after, copying your brother's action and going to your bedroom.

> Go to sleep
> Try to sneak into Eiji's room
> Look over your pictures of Eiji
> Start magical girl hunting
> write-in

>>2964636
> Try to sneak into Eiji's room

>>2964636
>See what you can do with your magical powers
I'll bet that the reason he's able to touched by all those supposed girls is because their magic is bypassing our security.
It also means that we really need to place trackers on his computer to see what he's been really up to.

>>2964636
>Go outside, find a place, see what you can do with your magical powers.

then
>Start magical girl hunting.

Always do recon first. Pick a target, scope them out.

>>2964636
> Look over your pictures of Eiji
> Start magical girl hunting

>>2964769
>Reaffirm our resolve
>Then go hunting

At least that's why I chose those two options

>>2964636
>>See what you can do with your magical powers

We don't know what is the scope of our powers and you want to star hunting the other guys? Its like you want to be dead ASAP.

>>2965475
Good point. I too feel we know to little.

Rolled 87 (1d100)

>>2965694
[BuzzLightyearGoSailingNoMore.webm]

Rolled 53 (1d100)

>>2965694

>>2964705
>>2964769
>>2964901

Looking over to your collection of pictures of Eiji within your computer you take time to appreciate all of them. Your most treasured ones are those of him and you, more especially the times where you were kids. He was so cute back then, and now he's more than just a boy - a man. The more you think about it makes you feel high: drooling, laughing, and losing yourself within dreams. There will be a day that he sees you more than just a sister, there will, but you can't wait. It's torturous that you can't whisk him away, live off somewhere with just the two of you. He will be your knight that takes you away into wonderland.

You reluctantly turn off your computer and get out of your chair. Your window is still open, the room now a few degrees colder than it was before. The idea comes to you right away, resolving yourself and the deal you have between you and that witch. As shady as she is, you now have your dream right in front of you. You just need to kill a few girls, that's all. How hard can it be? It's not like you haven't done this before.

Staring into your hands, the image of your pistols becomes a reality. Like the first time, you are coated in light that changed your clothes, back into the regal, grandiose dress and coat. Stepping upon the inside thin frame of the window, you then look about to see if the coast is clear.

Knowing that most of the neighborhood's lights are off, except for the streetlight, you come to a conclusion. With one jump, you force yourself out once again.

> Roll 1d100 to see if you can fly

>>2965704
>>2965711
YOU'RE NOT GETTING OUT THIS EASY QM!

>>2965715
I'm still counting that as the first two rolls.

Rolled 82 (1d100)

>>2965711

Rolled 83 (1d100)

>>2965711
One more then.

crit fail incoming

So, what is this, then? Gliding using air currents?

Rolled 42 (1d100)

>>2965711

Rolled 96 (1d100)

>>2965711

>>2965704
>>2965707
>>2965741
>87

Bracing yourself for impact in the chance that you meet the hard ground again, your heels steps on something. Looking under your frilly dress was a blue platform, its contents swiveling around like a machine. Confused, you start to lightly tap against it to test its strength. Once you were confident enough you then pounded hard against it, the magical platform not breaking in the slightest. Walking forward another one emerges from under your feet, the previous one disappearing. Wanting to go back to the ground, the second one disappeared from under you as well, letting you fall.

Landing, you dust yourself off and try to create those platforms again. Just by stepping on the air and imagining them was enough for them to appear, now making easy transport. With a newfound ability, you start to walk over a small forest in the distance, a ways from your house.

Arriving at the grove, you drop yourself among the trees. In the distance, you can still see the bright lights of cars and the buildings downtown that are accompanied by millions of mechanical sounds. You pry your attention from it, focusing in your present area. Aiming, you then fire a shot at a tree.

Pulling the trigger, the recoil sprung from your hand unexpectedly, the bullet hitting its mark. With a thundering roar, it pierced the thick wood of the tree's center that may be on the verge of falling.

> Continue to practice shooting at the trees
> Try something else? (write-in)
> Go start looking for magical girls

>>2965846
> Try something else?
Use the platforms as shields or try to control their shape and form.

>>2965846
>Try something else?
See if we can use our magic to slow down time/give us bullet time powers.

>>2965846
> Continue to practice shooting at the trees
Got to get adjusted to that recoil.
> Try something else?
1.See if you can use full auto
2.Use the platforms as shields or try to control their shape and form.
3.See if we can use our magic to slow down time/give us bullet time powers.

>>2965863
>>2965869
>>2965921

>Roll

Rolled 66 (1d100)

>>2965966

Rolled 52 (1d100)

>>2965966

Rolled 86 (1d100)

>>2965846

>>2965976
>>2965977
>>2965997
>86

You continue to practice shooting at the motionless trees in the hopes of getting used to the recoil. Repeatedly, you pull down the trigger as you sequence a steady sound of flying bullets, and through time, you eventually got used to the spasm of the pistol. You didn't even notice when you did shoot the gun, now locked in your hands as if it's a piece of you now. The feel of it was too familiar too fast, but that may be your doubts as you are a fast learner all throughout your life.

Firing another shot, things became unordinary. It's like time itself has slowed down, the magical bullet flying through the air in a snail's pace. You however still retained normal movement. Trying your luck and moving next to the bullet, you edge close enough to directly look at it with your face next to its stream of ripped air. The sudden effect then worn off, the bullet zipping by your face. Seven seconds maximum was the length of the state.

Morbidly curious, you reenact it once more. It only worked once after a few minutes or so - three or four - spending your time trying to activate it. This time you continuously shoot within the stagnant effects of this mysterious power, the bullets that were fired in succession flying together like a drone of bees. Seven seconds again; the power worn off and the formerly floating pieces of pure magical energy zoomed before you, hitting any trees that collided with them with inhuman power. Much so, was it more lethal than any machine could produce.

More time has passed. Through experimentation, you found out that the platforms that are used to hold you up in the air can be used as cover. You came across this possibility when you almost got caught within the crossfire of your own bullets, and in a reflexive attempt of fear, you summoned the sprawling circle in front of you to block the fire. Interested in this development, you made up multiple of these circular platforms to act as targets. By their own, they can only take five or six shots. But strengthened with multiple layers upon layers of themselves they can block almost ten times the amount, and even more if you made more layers.

The little forest was now heavily destroyed. Each tree was either toppled or near to, black marks siting themselves on the bark of trunks and branches.

> Go home
> Start hunting magical girls
> write-in

>>2966173
> Go home
We need to be more methodical with out preys. These aren't some high school peers that can be easily killed. If we fail to get them on our first try, they'll retaliate hard.

>>2966173
>> Go home

Again, RECON.

We've got four marks. Pick one, gather intel, observe, isolate, THEN dispatch.

>>2966173
>Go home
Check on little brother one more time before heading to bed. We need our rest.

>>2966183
>>2966187
>>2966196
Can we see if we can do a charged shot/beam? Or would that give us away more than the destroyed forest would?

>>2966228
We could do that the next time we practice. We've probably caused more than enough heat to pop up with the forest destruction.

>>2966228
I honestly think that'd give us away even harder. Honestly, if the MG's do any kind of consistent patrols, they're going to figure out something off by tomorrow morning. We don't need to give them more information than we get, and so far we've already given them a vague idea of our destructive capabilities when we have no clue what they can do.

>>2966183
>>2966187
>>2966196

Deciding that it's enough for the night, you make your way home. The lights of your house have been turned off, the front light being the only thing on. Sneaking through your window you close it, locking it shut and pulling down the blinds. Dismissing your current form, you change out of your uniform and head into the bath to clean yourself from the tiring night.

Refreshed, you fit yourself into pajamas, ready for the rest of the night.

> Sneak into Eiji's bedroom and sleep there
> Sleep in your own room
> write-in

>>2966245
> Sneak into Eiji's bedroom and sleep there

>>2966245
>> Sneak into Eiji's bedroom and sleep there

>>2966245
> Spy on Eiji in his bedroom for a while and then go sleep in your own room

>>2966245
> Sleep in your own room

Got to play the long con here. Get him to see her as more than just a sister first.

>>2966282
>>2966271
Supporting

>>2966271
Changing to this.

>>2966271
>>2966282
>>2966286
>>2966301

Going by the door of Eiji's bedroom, you delicately crack his door open. Eiji was already fast asleep, breathing quietly and completely oblivious to your presence. Your smile was like a monster's, hiding in the darkness of the hallway. Watching him like this was routine for you, sometimes staying like this till dawn. Even without communicating any sort of action, he calls to you, tempting for you to take your place next to him. Alas, you cannot; closing the door you then return to your own room, tucking yourself in. Soon, you go to sleep like the rest of your household.


Waking up, the sun's early rays shown through the crack of the blinds, momentarily impairing your vision. Your alarm clock was about to go on, and before it does so you turn it off to disable the alarm. Stretching your arms, you taste your mouth and rub your eyes to finally regain vision of your surroundings. Already, you can hear students talking to each other down the street.

Getting out of bed, you put on your uniform, making sure everything's perfect for Eiji's sake. Taking you bag with you, you go to the kitchen to fix yourself some breakfast. Eiji's comes after you cooked up some food, pulling out a chair from under the table and waiting. He was still drowsy, his bed head ruffing his hair up.

Eiji yawns, "Good morning, Onee-san."

"Good morning~!"

Taking out two plates, you serve Eiji along with yourself.

> "Say...Have you been hanging out with other people recently?"
> Try to kiss him on the cheek
> Silently finish your breakfast
> write-in

>>2966336

>Hug (maybe a quick grope)
then
>"So, any plans for today after school?

lead into it gently.

>>2966336
>"Say...Are you in any trouble? If you are I can keep it a secret if you want me to."
If he asks why we're asking him this respond with
"I just got a really bad feeling, when I was talking with you last night."

>>2966347
This is perfect for a ice breaker before we question him with the hard stuff.

>>2966336
>Hug him from behind
> kiss him on the cheek

>>2966336
>Hug him from behind
> kiss him on the cheek
>"So, any plans for today after school?

>>2966347
>>2966379
>>2966392

Setting down the plates you hug Eiji from behind, kissing him on the cheek.

"Onee-san, you don't have to do that every morning," Eiji complained, but not stopping you.

"Why not? It's a for goodluck!" you say, chuckling. You sit down, drawing one of the plates to you, "So, any plans for today after school?"

"Eh? Uh, no, not really," Eiji answered disorderly.

"Hmm..." you let out, not knowing if Eiji is trying to lie. "You sure?"

"Yes, I'm sure, Onee-san," Eiji assured.

"Okay then..." doubt in your words.

> "You know you can tell onee-san anything, right, Eiji?"
> "Eiji, onee-san doesn't like it when you lie to her."
> "Where do you hang out most often at school?"
> write-in

>>2966486
>> "You know you can tell onee-san anything, right, Eiji?"

>>2966486
> "You know you can tell onee-san anything, right, Eiji?"
> "Are you going to meeeeet someone~?

>>2966486
> "You know you can tell onee-san anything, right, Eiji?"

>>2966486
> "You know you can tell onee-san anything, right, Eiji? I promise I won't bite."
Say the last part a bit playfully so it doesn't trigger his "OH SHIT SHE'S ONTO ME" sensor.

>>2966519
+1

>>2966489
>>2966496
>>2966519
>>2966520
>>2966526

"You know you can tell onee-san anything, right, Eiji?"

Eiji glances at you for a moment, "I guess, but...There isn't anything to tell you, hehe" laughing awkwardly.

You squint your eyes and pout, "If you say so. Let's hurry and get to school shall we."

"Y-Yeah."

Finishing up breakfast you wash both dishes, Eiji putting on his shoes while waiting for you by the door. You follow suit as well, taking off for school. The school wasn't far from your house, one its taller buildings peeking over the horizon of the countless houses. The campus was pretty sizeable too, allowing room for many extracurricular activities during and after hours.

During the whole way, you both didn't say a word, reaching to the gate where a teacher stood by to greet incoming students. You gave a frank smile while Eiji waved slightly in consideration of the man, entering school grounds. There, Eiji says good-bye to you and splits off to his own, going to his classroom. You depart as well, joining the second-year's classes.

Strolling down the hall without a care, the eyes of both boys and girls catch you. In your opinion, you were pretty okay but that was overshadowed by the general consensus of most people, calling you one of the most beautiful girls in the whole school and rivaling a few others. Hair and eyes like a foreigner, fair and calm - that was the picture of of Hanano Nawakubi.

Entering into your homeroom, many others are at their friend's desk, playing and talking about. Paying them no mind, you nonchalantly took your seat at the...

> Front row
> One of the middle rows
> Back row