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/tg/ - Traditional Games


File: 1383073546517.jpg-(657 KB, 1350x900, xmeninfinite.jpg)
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Previous Threads: http://suptg.thisisnotatrueending.com/archive.html?searchall=homeless+mutant+quest
Pastebin: http://pastebin.com/UuVeJFig

You are John James Green, mutant vagrant and amateur ghost hunter.

You groan. The snow burns white around you, clinging to your face. The adrenaline is already fading, subsiding into clamouring, biting cold.

You fell, what, ten feet? Eleven? You were lucky that the snow was there to break your fall somewhat, but your chest still feels like one big, bulbous bruise. A sharp pain bites at your left wrist – you think you sprained it, or pulled a muscle, or something. You’re not sure what, exactly, but it hurts when you try to move it.

You roll over onto your back, trying to find some sense of solidity in the vast, ethereal black up above. You’re still reeling a bit.

Glancing around, you realize you’ve landed within the orphanage grounds. The doors to the cloakroom and kitchen aren’t far from here, though they’re undoubtedly locked up this time of night.

>Current Funds: $85.50
>Hunger Level: 5

>[ ] Try to enter via the cloakroom door.
>[ ] Try to enter via the kitchen door.
>[ ] Try climbing in through a window again (with a sprained wrist demodifier).
>[ ] Make a snow angel.
>[ ] Write in.
>>
>>28005288
Snow angel obviously
>>
>>28005288
Cloakroom door
>>
>>28005288

We heal 20 times faster so the bruise should heal in a couple of hours and the the wrist in a day or less.
>>
>>28005288
>>[ ] Try to enter via the cloakroom door.
>>
I don't suppose we could use our enhanced Senses and dexterity to lockpick the door, could we?
>>
>>28005410
How would one go about that?
>>
>>28005410
What would we pick it with?
>>
>>28005288
>>[ ] Try to enter via the kitchen door.
get some food too we hungry as fuck
>>
>[X] Cloakroom door.

You drag yourself up, glancing both ways for any watchful eyes. Content that your embarrassing defeat at the hands of gravity has gone unnoticed, you shrug your invisibility back on, fading out and trudging around the building to the door you and Kevin used. Should be easier to open, seeing as he pretty much turned the lock to shit all with those deathly hands of his.

Unsurprisingly, the lock hasn’t been replaced. You push your weight up against the door testily and find that it offers some sturdy resistance. Feels like someone’s wedged something in there to stop it from opening.

Fair enough.

>[ ] You’re mildly super-strong. Put some more force into it.
>[ ] Try the kitchen door instead.
>[ ] Try the climb again instead.
>[ ] Write in.
>>
>>28005453
I'd presume echo location or something.
I doubt we have enough sense to pull something like that off just yet, that seems like 4th level or 5th level.
>>
>>28005590
>>[ ] Try the kitchen door instead.
>>
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>>28005453
You could try putting your ear to the lock, use your pins to hit the discs inside the lock -with enhanced hearing telling us if we hit a sour spot or something- and then twist it. People in tv do it all the time with hairpins.

Maybe we should invest in some thieves toolkit or something.
>>
>>28005590
>[x] You’re mildly super-strong. Put some more force into it.
If an old nun can push it, so we can!
>>
>>28005590
See if you can't push the door open.
We can always just leg it if somebody comes.
>>
>>28005599
Yeah, I was more wondering what you'd use as a lockpick.

>>28005626
I guess it'd be remotely possible to try using your claws to do this, seeing as these are rather old, spacious locks. It wouldn't be easy, though.
>>
>>28005590
Wait, it;s wedged.
Look for something in the garden(a broom, some rusty pipe maybe) to try and unwedge whatever she put in there.

If that fails, HULK SMASH THAT PLANK USING THE TOOL PREVIOUSLY DESCRIBED!
>>
>>28005740
>>28005740

Way to be inconspicuous. We are sneaking in right?
>>
>[X] Put some more force into it.

You move in closer, dig your feet deep into the snow, and put your back into it.

The portal resists for a moment before you find yourself ploughing forward, something grinding nosily against the floorboards inside. You’re just about fast enough to reach out and grab whatever it is – oh, it’s a chair, it seems – before it clatters down on the floor.

Still, that was relatively noisy. This place creaks a little whenever the wind blows hard enough, like an old man slowly coughing his way toward death, but you’d be surprised if nobody heard that.

>[ ] Press yourself up against the wall. Be small.
>[ ] Try to make it through into the main entrance before someone comes looking.
>[ ] Write in.
>>
>>28005866
>>[ ] Try to make it through into the main entrance before someone comes looking.
>>
>>28005866
Move the chair in such a way that it looks like it fell naturally due to a gust of wind hitting the door.
>>
>>28005866
>>[ ] Try to make it through into the main entrance before someone comes looking.
>>
>>28005866

We are invis right?

>>28005900
>>28005900
This
>>
>>28005866
Stick to the ceiling, using only our feet and the non-fucked up wrist.
>>
>>28005866
>[ ] Try to make it through into the main entrance before someone comes looking.
>>
>>28005900

seconding
>>
>>28005900
How in the world could you possibly move a chair to look like that?
>>
So far we're tied between getting into the main entrance as quickly as possible and simulating a breeze/replacing the chair.

I'll give it a minute or two then roll it off.
>>
>>28005866
Main Entrance
>>
>>28006023
By making it fall in such a manner that the part that was leaning on the door is blocking the door from being opened fully rather than being moved from the front of the door by somebody entering.
>>
>>28006133
>by making it fall
By moving it* I meant

Basically, if the thing fell naturally, it would have most likely been because the door was rocking the chair with gusts of wind, enough to make it fall.

This isn't enough force to move it away from the door however, it is enough to move it so the door is slightly open, but the fallen chair is still blocking it partially
>>
>>28006181
>Basically, if the thing fell naturally, it would have most likely been because the door was rocking the chair with gusts of wind, enough to make it fall.
What gusts of wind? From where? It's cold outside, not windy.
>>
>[X] Try to make it through into the main entrance.

You try to treat as lightly as possible over the groaning floorboards, making your way down the long corridor to the main entrance.

The huge window hanging over the front door is a halo of icy-soft snowlight, casting a net of mangled shadows across the ranks of looming banisters that line landing up above. To your right you can see the hall where the children were eating lunch earlier, row upon row of neatly-tucked chairs sitting in silence.

You wait, watching the stairway for signs of life.

Nothing. Sound sleepers? Or slow risers?

>[ ] Check the patients’ room. That seems to be epicentre of all this.
>[ ] Check the lunch all, you haven’t been there.
>[ ] Check one of the doors to the left, you haven’t searched them.
>[ ] Check on the kids’ dorms.
>[ ] Write in.
>>
>>28006300
>[x] Check the patients’ room. That seems to be epicentre of all this.
>>
>>28006300

>[ ] Check the patients’ room. That seems to be epicentre of all this.
>>
>>28006300
>[ ] Check the patients’ room. That seems to be epicentre of all this.

Where else would they be?
>>
>[ ] Check the patients’ room. That seems to be epicentre of all this.
Also, activate heatvision to see if the marks have disappeared or moved.
>>
>>28006300
>[x] Check the lunch all, you haven’t been there.
A cursory glance with heat vision should do it, so we can do it before the other ones.
>>
>>28005288

http://pastebin.com/zFvxDsKi
Remeber anons this list will be subject to change once we get more powers.
Which was hinted at being in 2-3 powers so choose wisely to either bank or get closer to skipping ahead of the chapter.
It is also should be known that we are gonna have to do more to get x-points becuase of leveling and all that jazz.
>>
>>28006300
>[ ] Check the patients’ room. That seems to be epicentre of all this.
>>
>>28006300
Kids room or patients room, both are at risk, but since the two kids in the patients room went comatose at different times, I think its likely that there's another kid being drained now.

Look in thermal at the kids room when passing by, look for some odities.
>>
>>28006300
>>[ ] Check the patients’ room. That seems to be epicentre of all this.
Also check our wrist.
>>
>[X] Check the patients’ room.

Carefully, you pad your way up the stairs, shadows quivering around you as the snow falls outside. Your eyes eke out the smallest, blackest crevices of the old house, but they do little to assuage the faint, holy strangeness of the place. Old house, old dark. If this really is some psychic kid going Carrie on everyone, they really picked the right place to do it. Or maybe the place picked it out of them.

Maybe the X-gene is genre-sensitive. Ha.

You make your way to the patients’ room. That’s the heart of all this. Those two kids. How, you’re not sure, but it’s definitely them, somehow.

Gently, you lean in on the door, easing it open with minimal creak. Immediately you feel the uneasy sense of transgressing upon somewhere sacred – somewhere changeless and opaque within time. They lie in their beds, much the same as you last saw them. The machines tick on noiselessly. There are no shifting shadows here, the curtains drawn tight.

>[ ] Check the bruises.
>[ ] Heatvision the room.
>[ ] Write in.
>>
>>28006496
>>[ ] Heatvision the room.
>>
>>28006496
>[ ] Heatvision the room.
>>
>>28006496
We should do >>28006414
If the kids had the handprints on them, that means they were drained, not some sort of weird gestalt psycho thing.
>>
>>28006496
>>[ ] Check the bruises.
>>[ ] Heatvision the room.
We can do both honestly and heat visions could show us how our bruises are healing.
>>
>>28006496
> [x] Heatvision the room.
>>
>>28006496
>[ ] Heatvision the room.
Our prey cannot hide.
>>
>>28006551
http://www.spectralcameras.com/files/Applications/Renfu_Lu_-_Detection_of_bruises_in_apples_-_iet595-proof.pdf
Proof
>>
>[X] Heatvision the room.

You focus your vision, draining away the nuance and subtlety of the visible spectrum, till only stark, bright primaries remain, etching out the language of hot and cold.

Blues and greens dominate the room. Much like last time, the children are several degrees below norm, but you weren’t really expecting so much of a change. You twist about slowly, panning your sight across the room, till a slice of colder blue catches your eye.

Someone – maybe their carer, whatever – has left their coat hanging behind the door, but there’s a ribbon of bright blue arcing behind it. You brush it aside and…

There’s… its three clear, concentric circles gleaming coldly in the wood.

>[ ] Check it in normal vision.
>[ ] Feel it.
>[ ] Check something else [write in].
>[ ] Write in.
>>
>>28006641
>>[ ] Check it in normal vision.
>>
>>28006641
>>[ ] Check it in normal vision.
But before that look at our bruises.
>>
>>28006641
>[ ] Feel it
>>
>>28006641
>>[ ] Check it in normal vision.

>[ ] Check something else [the coat pockets ].
>>
>>28006641
>>[ ] Check it in normal vision.
>>
>>28006674
To be honest, this would be mostly without context to you. JJ didn't go to high school. He probably doesn't know what the spectral markings of a bruise would indicate.

>writing
>>
>>28006746
Well then my vote is for >>28006705
I was just hoping to see us freak out at the high speed of our healing.
>>
>>28006746
http://www.youtube.com/watch?v=hMeKYG5y8wc
>>
>>28006746
>spectral markings of a bruise
Since when do they teach Advanced Witchcraft in schools
>>
>[X] Check it in normal vision.

You blink, shunting your vision back into the normal human range.

Yeah, it’s here too. Harder to notice, but certainly evident – a dark, concentric discolouration in the wood, etching out three circles of diminishing size. You’re not sure what it is exactly, though. Could be water deformation. Could be a stain of some kind. Could be… wood rot?

Why would rotten would be cold? Or arranged in three precise circles, for that matter?

>[ ] Try feeling it.
>[ ] Check something else [write in]
>[ ] Leave the room.
>[ ] Write in.

>>28006784
Awful shit. Blink looks like a villain from Charmed. How did they spend 250mil on this? Also fuck Wolverine.

>>28006804
They don't teach that in American schools?
>>
>>28006784
Was i the only one hoping that they would find away to include more x-men in this one.
>>
>>28006832
>>[ ] Try feeling it.
>>
>>28006832
Try feeling it through the coat or something. I don't want to touch some weird heat sink thing, if that's what it is.
>>
>>28006832
>Awful shit
Yup not even picard can save this movie.
http://www.youtube.com/watch?v=X6oUz1v17Uo
>>
>>28006832
>[ ] Try feeling it.
In for a penny, in for a pound.
>>
>>28006832
>>[ ] Try feeling it.
>>[ ] Check something else [write in]
Feel it through the coat and check the pockets as well.
>>
>>28006832
>>[X] Lick it
>>
>[X] Try feeling it.

Hesitating only for a moment, you run a gloved finger along one of the curves.

No indentation. You try passing your finger over the line and back again. No difference in consistency or texture. Just cold. Weird, your sense of touch is pretty–

“Who’s there?”

You freeze, the urge to yelp rising and knotting up in your chest.

“Who’s there?” The voice asks, again.

It’s not an adult. Sounds like a child – a girl. For a moment you were a little tempted to check behind you, where the children lie amidst their tangles of life support, but it’s clearly coming from the other side of the door.

“I know someone’s there.” She says, quietly, her voice low but by no means timid.

“I can see you.”

>[ ] Stay still, say nothing.
>[ ] Say something [write in]
>[ ] Open the door.
>[ ] Write in.
>>
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>>28006984
>>
>>28006852
I know man, shit's depressing.

What an amazing cast wasted on drivel.
>>
>>28007011
>[ ] Say something [write in]

"Did you see anyone else here before? Besides me."
>>
>>28007011
If she could really see us, she'd know who we were. It's a bluff. Stay still, say nothing.
>>
>>28007011
>>[ ] Say something [write in]
"You're just dreaming kid, go back to sleep."
>>
>>28007011
"Name's JJ. You on the other side of the wall?

What's your name, girl?"

Either it's a complex peephole the kids made to monitor and combat the ghost, or a portal to an otherwordly dimension. Still, some info is better than no info.
>>
>>28007011
>>[ ] Stay still, say nothing.
>>[ ] Say something [write in]
"How can you see me."
>>
>>28007011
>[ ] Say something
"I call bullshit"
>>
>>28007064
no, no, say "I don't believe you." There are children involved. Let us use more acceptable words
>>
>>28007011
>[ ] Say something
"No you can't, I'm a Lizard Elf and everybody knows Lizard Elves don't exist."
>>
>>28007104
Ok, this is going to be hilarious. I like this decision.
>>
>>28007011
"Layla sent me, Just checking out your ghost problem."
"And that's bullshit, I'm invisible."
>>
>[X] Write in.

The tightness in your throat subsides and you say the first thing that comes to mind.

“No you can't.” You assert, quite rightly. You’re invisible, after all. “I'm a Lizard Elf and everybody knows Lizard Elves don't exist.”

“Lots of things exist.” The voice remarks back, soft and quiet, pausing between each word, as if taking out time to breathe.

“Okay. What’s your name, girl?”

“Claire.”

Claire. Claire. That rings a bell. One of Layla’s friends?

“Well, Claire, Layla sent me to check up on your ghost problem.” Man, you hope they liked Layla. Though somehow you kinda doubt it. “You behind the door, Claire?”

The voice is silent. Then,

“No.” It whispers into your ear, cold, wet breath tickling at the back of your neck.

>[ ] Turn around.
>[ ] Don’t turn around.
>[ ] Close your eyes, put the last thirty seconds in the Vault alongside The Brave Little Toaster and that one time in Ohio, you know the time, and leave the room.
>[ ] Write in.
>>
>>28007297
Turn around.
>>
>>28007297
>>[ ] Turn around.
>>
>>28007297
>>[ ] Turn around.
>>
>>28007297
>[ ] Turn around.
>[ ] Try hard not to scream like a little girl. Again.
>>
>>28007297
"So, Alex's with you?

Anybody else, a third kid maybe?"
>>
>>28007297
>[ ] Close your eyes, put the last thirty seconds in the Vault alongside The Brave Little Toaster and that one time in Ohio, you know the time, and leave the room.
>>
>>28007297
>>[ ] Don’t turn around.
We all know she is not gonna be there, plus i don't want to scream and wake up a group of kids.
>>
>>28007297
Oh, wait, better yet, don't look behind us. Look up.
>>
>>28007352
>>28007360
These twp work for me.
>>
>>28007372
Look into the beyond.
>>
Crusty, will this girl be like the one from This Book is Full of Spiders?
>>
Rolled 89

>All my favorite quest running RIGHT as I need to leave for class.
>>
Rolled 14

>>28007297
>>[ ] Close your eyes, put the last thirty seconds in the Vault alongside The Brave Little Toaster and that one time in Ohio, you know the time, and leave the room.


happy place?
>>
>>28007398
This starts every breakfast for me. So a nice start to the day but awful finish. I always miss voting
>>
>>28007297
>>[ ] Don’t turn around.
>>[ ] Close your eyes, put the last thirty seconds in the Vault alongside The Brave Little Toaster and that one time in Ohio, you know the time
>>[ ] Write in.
Then ask her this>>28007352
>>
>>28007297
"You gotta show me how to do that."
>>
Hey, wait a second, aren't we eighteen, and this girl is like, 12? Shouldn't she be shorter than us?
>>
will we have to make a die roll to not scream like a little girl?
>>
>>2800745
I think we're crouching to look at the cold spot.
>>
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>>28007450
Years of hobo diet can stunt your growth. Plus, it's not her we're scared of, it;s pic related.
>>
>>28007297
>[ ] Turn around.
>>
>>28007492
>.gif
Nah
>>
>[X] Don’t turn around.
>[X] Vault.
>[X] Write in.

You take a moment just sitting right there to not shit yourself and scream like a tiny woman. You then, with surgical precision, open the Vault in your head and pour very much of the last thirty seconds straight in, bolting the door behind.

Yes, that’s better.

“Claire…” You mutter, turning the name over in your head. “Is, uh, Alex with you? Anyone else?”

Nobody answers. The room is silent but for the short, barely-perceptible twitches of breath that move the children’s chests up and down. The cold breath against your neck is gone.

>[ ] Fuck this too spook I out.
>[ ] Check somewhere else [write in].
>[ ] Try speaking to Claire a little bit more.
>[ ] Write in.
>>
Why do you guys want to turn around you all know what we are gonna find.its like i'm the only black person in a horror movie
>>
>>28007492
You son of a bitch! I was planning on sleeping tonight.
>>
>>28007523
>>[ ] Check somewhere else [write in].
check bruises
>>
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>>28007492
>gif
>>
>>28007523
>[ ] Check somewhere else [write in].
>[ ] Try speaking to Claire a little bit more.
Look to see if the kids are ok. And do it heat and normal vision
>>
>>28007523
Do our most spooky voice.

"Claaaaire, I'm a ghost tooooo, please don't leave me all alooooone."
>>
>>28007523
>>[ ] Check somewhere else [write in].
>>[ ] Write in.
So lets check those rooms we keep avoiding.
>>
>>28007523
OK, the indents aren't for sloting souls or anything, but tally marks for the bastard. He's probably claimed another kid already. Check the dormitories, see if the theory holds out.
>>
>>28007523
Touch the spot again
"Claire, let me help. Tell me what's going on."
>>
>[X] Check somewhere else.
>[X] Try speaking to Claire a little bit more.

“Um, Claire?” The silence is your only answer. “Claire? I’m trying to help. Claire?”

Nothing.

Swallowing, you ease the door open again, stepping out onto the landing. You stop to check just about every corner or errant shadow before moving on. So, eldritch projection or whatever is happening. Noriko was right about that. The kids are all, like, ghosty and stuff.

Okay, well, they’re just kids. They’re not gonna hurt you.

You resolve to check on the other children, turning in to the long corridor lined with dorm rooms. The hallway is near solid black, only the window on the very far end providing a soft, feeble shaft of wintery light.

>[ ] Listen at the doors.
>[ ] Open some doors, look inside.
>[ ] Write in.
>>
>>28007759
this first
>[ ] Listen at the doors.
then
>>[ ] Open some doors, look inside.
>>
>>28007759
>listen with our Lizard Elf ears!
>>
>>28007759
Open them doors, slowly.

Maybe they set up some kind of watch, introduce if necessary,
>>
>>28007759
>>[ ] Listen at the doors.
>>[ ] Write in.
Use our Heat vision.
And then open the doors.
>>
>[X] Listen at the doors.
>[X] Open some doors, look inside.
>[X] Write in.

Whatever is happening clearly has a greater chance of harming the kids than you. You tell yourself that as you stoop down beside the closest door. It’s vague, but you just have this creeping fear that there’s some other kid out there now, snapped clear of his or her body.

So you’re gonna check.

Pressing your ear up against the door, you listen in. Tiny breaths, the occasional shift under sheets, enclosing quiet. The silence here is like white noise, it’s fucking horrible. Urgh.

Maybe you're just imagining it.

Easing the door open, just very slightly, you glance in, surveying the room in the primary shades of heatvision. Standard body temperature, no one missing. You hear a breath sharpen, but it’s likely just a light sleeper. You back away and check the next.

You get three doors down when you hear one of the doors behind you creak open, nervous voices whispering in hushed excitement.

>[ ] Check it out.
>[ ] Keep checking the other rooms.
>[ ] Write in.
>>
>>28007982
>>[ ] Check it out.
>>
>>28007982
>check it out
>stay freaking hidden
>>
>>28007982
>[ ] Check it out.
>[ ] Keep hiding
>>
>>28007982
>>[ ] Check it out.
>>
>>28007982
Turn around, and say
"You kids damn well start believing in ghosts.
You are looking at one"
go invisible
>>
>>28008068

No. No need to scare the kids.

You asshole.
>>
>>28008068
No, we turn into a skeleton and drink some rum.
>>
>>28007982
Our sneaking sills had failed us.
>>
>>28007523
>Touch the cold spot again while trying to speak to Claire.
>>
>>28008218
we left that room already
>>
>[X] Check it out.

You pause, twisting about to watch.

The door appears to just stand open for a minute, before a young girl – she must be nine or ten – backs out, her face written in desperate shapes, teary shapes. She’s clad in baggy pyjamas and tucking a crumpled mess of bedsheets under one arm, clutching it close, like it has the power to open out into a doorway to somewhere brighter. A flashlight dangles from her other hand.

“Please.” She whispers. “Please, please let me”–

“No, you’re his favourite.”

A pair of small shapes physically rebuke her as she tries to get back in.

“Please!”

“He’ll come back” –
“Get out”–
“gonna be back to watch you”–
“out”–

She’s drowned out by a surge of tiny voices, each one incensed with fear but straining to stay quiet. One of the other kids gives her one final, rough shove and shuts the door behind her. She stands, slack and disbelieving, staring down both ends of the dark corridor, before tapping lightly on the door with her hands.

“Please, please, please…”

>Perception Check
>DC15
>+4 modifier
>>
Rolled 5 + 4

>>28008259

Rolling
>>
Rolled 20

>>28008259
>>
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>>28008279
>20
>>
Rolled 12 + 4

>>28008259
>>
Rolled 20

>>28008259
Ah, a virgin sacrifice. You kids got class.
>>
Rolled 10 + 4

>>28008259
>>
>>28008279
I can see everything...
>>
>>28008279
Fuck yeah.
>>
>>28008279
>>28008295
I SEE EVERYTHING
>>
>>28008295
>>28008279
Good lord double 20s does crusty do best of 5 or 3.
>>
Rolled

>>28008322
>does crusty do best of 5 or 3.

Best of 3
>>
Rolled 14 + 4

>>28008322
We're stealing PPQ's luck tonight before it plays.
>>
>>28008379
Guess we'll be dealing with the MJ effect tonight...but joking aside I think this is karma balancing our fail at the end of last thread.
>>
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>>28008279
Gaze into their very soul.
>>
>>28008379
what's PPQ?
>>
>>28008379
>>28008429
Wait, never mind, I figured it out.
>>
>>28008422

Possibly. Ugh, watch, tonight MJ stumbles into our secret and the Cat Fight between Gwen & Felicia begins once they realize they both know our secret...and what/who the other is.
>>
What do our mugga eyes see?
>>
>>28008483
dead people?
>>
>>28008279
>20
>http://www.youtube.com/watch?v=r2YyTpXkges

Wow, that’s fucking cold. Ice cold. Colder, maybe.

You dawdle momentarily, not quite sure what to do, as she shrinks back against the door, fumbling at her flashlight.

And then you shiver, you breath running cold in your veins, and feel the unmistakeable, icy touch of eyes upon the back of your neck. You turn about, glancing along the corridor.

Under the dim, failing light at the end of the hall, a small, ashen shape stands in crystal silence, almost more a collection of shadings etched along the wall than a coherent figure. You feel yourself freeze up, staring harder, straining through the dim light to get some kind of purchase upon the faint outline.

You think… you think it’s Alex.

And you think his lips are moving. Half of him is cast in shadow, but, yeah, he’s saying something – something that refuses to be spoken, filling the air with only silence, as if whispered from afar.

>[ ] Try to get closer. You want to know what he’s saying.
>[ ] Stay there.
>[ ] Write in.
>>
>>28008495
>>[ ] Try to get closer. You want to know what he’s saying.
>>
Oh, while we're waiting I just thought I'd mention that as a result of some comment I don't remember from yesterday's tread I spent most of today trying to reimagine the X-Men movie franchise with Samuel L. Jackson playing Prof. X and Morgan Freeman as Magneto. It was surprisingly entertaining.
>>
>>28008495
>>[ ] Try to get closer. You want to know what he’s saying.

They're just ghosts, what are we even scared of. Shit, we deal with things far more dangerous and terrifying like Creeper. Ghosts are small-time
>>
>>28008495
Stay, focus your senses JJ, but don't lose sight of the girl.
>>
>>28008523
So, essentially, Nick Fury vs god?
>>
>>28008495
>[] Try to get closer. You want to know what he's saying.
>[] Get ready to pull the girl out of the way if he moves to attack her.
>>
>>28008495
>get closer, you want to know what he's saying.
>fuckfuxkfxjfucuccjcufjcucjcujcuxhufnhujucjc. Our heebies are getting the jeebies.
>if things go to shit, please let these be psychic shrug ghosts who can be disrupted like a disembodied nervous system with electricity and not magic ghosts.
>>
>>28008523
My love, my anger, and all of my money.jpg
>>
>>28008495
>>[X] Try to get closer. You want to know what he’s saying.
I ain't afraid of no ghost
>>
>taking the bait
Y'all dumb.
>>
>>28008651

Then say what you think we should do.
>>
>>28008495
>>[ ] Try to get closer. You want to know what he’s saying.
>>28008526
I'm more into thinking an out of control mutie power.its the girl who can bring the dead back to life fault.
>>
>>28008651
Ok, so you're suggesting we run, hide behind the little sacrificial virgin or wall crawl out of his way?
>>
>>28008495
>[ ] Try to get closer. You want to know what he’s saying.
Sanity is for the weak
>>
>>28008495
>[x] Try to get closer. You want to know what he’s saying.
>>
>>28008668
Keep watch on the girl. She's his favorite after all.

Hell, ask her some questions. Like what's going on. Ghost boy is a distraction.
>>
>>28008743

Then vote for that.

Don't just whine about the choice people are making being stupid.
>>
>[X] Try to get closer.

You edge closer, squinting at the rapid movements of his mouth. His body is shadow and light and nothingness and his mouth is the same. His eyes stare at nothing, black tunnels into the night outside, cold and empty and seething.

There’s no sound. No matter how close you get, there’s nothing. His mouth is working out words – and they’re definitely words, you can see the artifice – so quickly, as if in a frenzy, but there’s nothing hitting your ears. It’s almost like he’s panicking.

Suddenly, he falls to the ground, the descent as silent as anything he’s trying to say. He falls and – no, he doesn’t fall.

Something tripped him. He reaches out and something – something in the dark – pulls him away, tugging at his leg. His fingers drive into the floor, grasping desperately for purchase, his mouth screaming silently, as he’s dragged across the ground, round the end of the hall.

>[ ] Follow.
>[ ] Follow! Try to grab his hand!
>[ ] Okay nope.jpg, staying right here.
>[ ] Write in.
>>
>>28008770
>>[ ] Follow! Try to grab his hand!
>>
>>28008766
I already did.
>>
>>28008770
>[ ] Follow! Try to grab his hand!
>>
>>28008770
>[x] Follow.
>>
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>>28008770
>>[ ] Follow! Try to grab his hand!
>>
>>28008770
>follow, try to grab his hand.
>please let spider-man sticky mimic electro molecular chemical power affect the incorporeal.
>>
>>28008770
>[ ] Follow! Try to grab his hand!

Stick our hand to his.
>>
>>28008770
>>[ ] Follow! Try to grab his hand!
>>[ ] Okay nope.jpg
>>[ ] Write in.
While the hole time trying to follow in his head lets play out all the usual horror movie rules we are breaking.
>>
Rolled 3

>>28008770
>>[ ] Write in.
run fucking run GTFO
>>
Where is Layla?
>>
>>28008832
But anon, we aren't in a horror movie, we're in a Halloween issue. We have to try to be stupidly heroic.

Although...if you're playing alone...are you in a horror movie?
>>
>>28008862
With Laura, as far as I know.
>>
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>>28008770
>>[ ] Follow! Try to grab his hand!
>>[ ] Write in.
Lets have an internal freak out about how stupid we are being.
>>
>>28008863
Actually, I don't think the Halloween interlude has started yet...so yeah, Anon's write that standard horror genre rules are in effect and there's no damn safety net, just a pit full of spikes for us to fall on.
>>
>[X] Follow! Try to grab his hand!

You move before you think.

Before you know it you’re scrabbling across the floorboards, moving as fast and as quiet as you can.

Oh god, what is this shit? What is this?

He fights hard, gripping at the floor with every once of his – his strength? Do ghosts have strength? But every second takes him further into the dark, further, further…

You stretch out your hand for his, and promptly pass straight though it.

“Three three three three!”

And he’s gone, dragged screaming into the dark at the end of the hall. A dark that you can’t see through. A dark so complete and cold that it could be an archway into the depths of space.

>[ ] Go after him.
>[ ] Nah.
>>
>>28008909
>[x] Go after him.
>>
>>28008909
Ok, so the magic number is either 3 or 3333. Maybe.
>>
>>28008909

>[ ] Go after him.
NOT TODAY GHOST FUCKER. NOT TODAY.
>>
>>28008909
run run run away and live its what we do its what we are good at run as fast as we can away.
>>
>>28008909
This is fucking bullshit were a hobo not the ghost busters
>go after him
>>
>>28008770
>>[x] Follow! Try to grab his hand!
>>
>>28008909
>>[ ] Go after him.
>>
>>28008909
>>[ ] Go after him
Night vision go and maybe heat vision if we can't see shit.
>>
>>28008909
>[x] Go after him.
>>
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>>28008909
>[X] Nah.
>>
>>28008940
It's ok, I've played Pacman, I know how this shit works.
>>
>>28008909
>“Three three three three!”
So why is every one going after him when he keeps saying three and we already know who the 3rd victim is.
>[ ] Nah.
Check on the girl.
>>
>>28008909
>[ ] Nah.

Guard the girl.
>>
>>28008922
>>28008935
>>28008940
>>28008948
>>28008958
>>28008962
>>28008965

>writing

Post may be a leeeeetle late. Gotta pop across the road for supplies.
>>
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>>28008909
>>
>>28008980
Second
>>28008909
>>
>>28008980

Thirded
>>
>>28008980
Damn, you're probably right. Let's stick with the girl and not become the third victim ourself.
>>
>>28008980
On second thought yeah its better to stick to the girl.
>>28008962
Changing my vote.
>>
>>28008909
>[ ] Go after him.
>>
>>28008909
>go after the kid, if we can distract the ghost away from the rest of the kids then maybe we won't get our coverblown during the nearly inevitable fight.
>>
>>28008965
here
changing my vote to >>28008980
>>
Who here bets we just hit a wall?
>>
>>28009189
Yup.
>>
>>28009189
or a caretaker?
>>
>>28009138
>implying it isn't a creepy touchy guy in the basement.
>>
>>28008980
Well i feel stupid supporting.
>>28009189
Yeah its pretty obvious once we have time to think about it.
>>
>>28009206
Would you prefer to fight the creepy touchy guy in the basement or in the dorm hallway?
>>
>[X] Go after him.

You run in.

The dark closes around you.

You run. You run. You–

You’re John James Green. You’re fifteen.

You’re out of breath. Why? Because you’re fifteen? Because it’s your first day in New York?

Because you’re running.

They scream obscenities behind you. Your throat is ragged with hard breath and fear and hunger. Your legs are screaming. You don’t know where you’re going, just that you’ve got to get away. You turn the corner out of the dark and you stare up and brick upon brick upon brick, no way, no way out, your heart shrinks in your chest, you feel your shoulders sagging, you want to scream, you want to curl up and delve into yourself.

And their shadows creep along the wall. They’re behind you.

>[ ] Try to turn invisible.
>[ ] Try to run around them.
>[ ] Try to plead your way out.
>>
>come back and post
>fucktons of votes have changed

FFFFFFFFFFFFFF-

Do you guys want me to, I dunno, recount or whatever? Or keep going?
>>
>>28009334
>>[ ] Try to plead your way out.
>>
>>28009334
>[ ] Try to run around them.

We can't hide anymore. We must face our fear.

Let it wash over us.

And in the end, we shall remain.

(Shitty paraphrasing of the Litany of Fear)
>>
>>28009334
>>[ ] Try to turn invisible.
>>
>>28009349
nah, voter's remorse. deal with it

>>28009334

>[x] Try to turn invisible.
>>
>>28009349
>Do you guys want me to, I dunno, recount or whatever? Or keep going?

Depends.

Is this darkness & pain stuff a part of the personal barrier we need to overcome in order to be a new & better JJ Green?
>>
>>28009349
just go with it.
>>
>>28009368
I suppose it is, yes.

It's related to that issue, anyhow.
>>
>>28009349
Go along with it, i was the guy who started the nah votes, but since you already went with the votes its too late.
>>28009334
>>[ ] Try to turn invisible.
>>
>>28009415
>I suppose it is, yes.
>It's related to that issue, anyhow.

Then fucking stay with this.

I love it even more now.
>>
>>28009415
Eh its best been knowing that girl then.
>>
>>28009334
Phasing would have worked here.
>>
>>28009349
>[x] Try to run around them.
Are we on a spiritual quest or just tripping balls?
>>
>>28009469
>Are we on a spiritual quest or just tripping balls?

Aren't they just the same thing?

Seriously though, I guess a bit of both.
>>
>>28009334
>[ ] Try to run around them.
gotta go fast
>>
>>28009334
>[ ] Try to turn invisible.
>[ ] Try to run around them.

Why not both?
>>
>>28009334
>>[ ] Try to turn invisible.
>>[ ] Try to run around them.
We can't abandon what made us, us.
>>
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>>28009487

You must commit.

>>28009510

You cannot hide this time.
>>
>[X] Try to turn invisible.

You can do this. You can – you should’ve been wearing shades or something, stupid, stupid.

You can do this.

You close your eyes and try to be small. Try to be a slither of light, nothing more. Try to push everything away and fade from the world, fade into a dream.

You think you felt something there. Yes! You’ve–

Your face explodes. That’s what it feels like. It was a bat, you remember that, it you remember hitting the ground and staring at it through broken tunnels of light, you feel your mouth fill up with blood, you twitch, you can’t breathe, it’s so fucking painful.

You stutter something. You don’t remember what.

“No more tricks, mutie!”

No more tricks. Nowhere to run. Nowhere to hard. No cards. No kings. No aces. No queens.

>[ ] “Please don’t kill me.” You don’t want to die.
>[ ] Try to get up and run. Maybe you can get up the wall. It’s not that high.
>>
>>28009532
>[x] Try to get up and run. Maybe you can get up the wall. It’s not that high.

its not like last time at all
>>
>>28009532
>>[ ] Try to get up and run. Maybe you can get up the wall. It’s not that high.
>>
>>28009532
>Nowhere to hard

Fuuuck, of all times.

That's going to bug me forever.
>>
>>28009532
>>[ ] Try to get up and run. Maybe you can get up the wall. It’s not that high.
>>
>>28009555
>fast
>free
>perfect

pick two
>>
>>28009532
>[]run up the wall

Under no circumstance do we use taser hands. We will burn down the orphanage if we do that.
>>
>>28009532
>>[ ] Try to get up and run. Maybe you can get up the wall. It’s not that high.
We know these fuckers won't listen.
>>
>Nowhere to run. Nowhere to hide.
>[x] Try to get up and run. Maybe you can get up the wall. It’s not that high.
Break on through! Come to the other side!
>>
>>28009532
>[ ] Try to get up and run. Maybe you can get up the wall. It’s not that high.
"What about Jokers?"
>>
>>28009597
>"What about Jokers?"

We're an Ace, obviously.
>>
>>28009532
We will not beg. Fuck begging.
>>
>[X] Try to get up and run.

Their eyes burn like fires in the night. This is so fucked up. How could you understand this? How could there be this fire in a man’s flesh?

You pull yourself up, fighting through the pain. You feel your legs wobble and your muscles creak. Your face wants to tear itself away, wants to vanish, it hurts like a toxin, like a fire, like you’re going to fall apart. You think they’re laughing at you.

You scrabble for the wall. You feel the blood slick your hands and mar the brick. You feel yourself rising, you’re so dizzy, your head’s so full of screams, you don’t know if it’s your hands doing the work or if you’re flying, hurtling over the lake, you’re going up, you’re grasping at the top of the wall, you’re pulling yourself over.

The bat shatters your right rib. You scream. You hold on. You scream. You feel them grabbing your jacket, you’re trying desperately to squeeze out of it, you’re so close now, you’re being dragged down, you hit the ground, you hold your chest like it’s about to burst outward.

They kick you. You try to get up and they stamp down on your legs. You cough out teeth and bile and blood.

The pain fades and you slump against the wall, your head exploding, a haze leaking from your body, a single, swollen, incognisant thought.

They splash you with something. It reeks – heady, horrible, pleasant, euphoric, disgusting. Gasoline.

A light sparks up in the reddened storm of your vision.

>[ ] Beg.
>[ ] Don’t.
>>
>>28009627
Joker can act as any card in poker.
Pulling out adhesive touch after invisibility has failed, only natural.
>>
>>28009766
>[ ] Don’t.
WE WILL NOT YIELD. WE WILL NOT BEG.
>>
>>28009766
>dont
guess this is why we hate fire
>>
>>28009766
>>[ ] Don’t.
"Gasoline? That's not environmentally friendly."
>>
>>28009766
>[x] Don’t.
>>
>>28009766
>[X] Don’t.
Why give those fuckers the pleasure?
>>
>>28009766
>[x] Don’t.
>>
>>28009766
>[x] Don’t.
We may be a hobo but we don't beg.
>>
>>28009766
>>[ ] Don’t.
>>
>>28009766
>[ ] Don’t.
>>
>>28009766
>Don't.
>>
>>28009766
So who is up for a vote to find these fuckers?
>>
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>>28009766
>>
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Fear elemental?
Nightmare, the demon lord?
Telepath?
Trauma from the Initiative?
Illusions?
>>
>[X] Don’t.
>(1/2)

You want to scream. Fire. Fire, fire.

You don’t. You don’t anything.

You look up into the eyes of night-fire and see a nothing that rots the world around it, putrefying from the inside to the outside, from heart to soul to mind to sodden pulsing quivering closing groaning shrieking moaning flesh. You feel your life spinning out into the universe. It lances off, star-like-shot, burning without fire, the world enclosing it, caressing it, folding it into the purr of gravity ebbing, electromagnetism dancing, gases collapsing, fission and fusion and weak and strong, rushing outward, breathing one into the other into the other, drinking, gasping, crashing toward final, cosmic orgasm.

Something barks loudly. It’s not a dog. Gun. The light flutters out.

People scream and run, they shout, you feel the universe loosening its climactic grip upon you.

You blink. They’re gone. There are new people now, some shouting some speaking softly, some–

“Fuck! You fuck! You shit!”

“Please! Plea”–

The one in the suit is standing over night-eyes-fire-bearer. He’s screaming all the words of hate at him. He’s cutting him with a knife, over and over and over. His victim is pleading and screaming even as his eyes are scooped out of his face and the gun barks out again, spreading his skill across the pavement.

You watch all this from an opaque space of weary strangeness, feeling nothing, thinking nothing.

The man in the suit approaches you. He’s wiping his knife. He’s putting it away. He kneels down beside you. He offers you his hand.

“What’s your name, boyo?”

You feel your blood soaking his gloves.

“John.” You say, you say faintly.

He pulls you up.

“You can call me Creeper.”
>>
>>28010124
Darn it. I hate it when I end up with a grudging respect for the obvious antagonist. Well done Crusty, well done.
>>
>>28010124
...that magnificent douchebag
>>
Damn, now I feel bad about punching him.
>>
You’re John James Green.

You’re fifteen.

Life isn’t bad. You have a bed to sleep in. You’re not cold. You’re not alone.

You’re still running, though.

You’re a lot better at it now. They scream after you and you scream back – that they’ll never catch you, that they suck, that they can eat your shit and your dust and the leavings of your meteoric rise to glory. You leap over a pile of trash, kicking it down on your way through, and you laugh and you laugh and you laugh when they stumble through it like ugly fucking dumb ogres from some children’s story.

You turn the corner. Dead end. Or it would’ve been, half a year ago.

Now you see the metal bins nearby that can serve as your trip over the wall. You see the fire escape jutting out nearby. You see the backdoor to some whatever delicatessen – the kind that nobody ever locks.

>[ ] Over the wall.
>[ ] Up the fire escape.
>[ ] Through the door.
>>
>>28010292
Nah, he's still a pretty big disckhead
>>
>>28010342
>through the door
>>
>>28010342
>[x] Up the fire escape.

not sure what's going on.

I just hope we don't wake up in jail.
>>
>>28010124
CJ, I touch myself to your vertiginous jam
>>28010342
>[x] Up the fire escape.
>>
>>28010342
>>[ ] Up the fire escape.
>>
>>28010342
up the escape
>>
>>28010342
>Through the door
>>
>>28010342
>[ ] Up the fire escape.
>>
>>28010342
>[ ] Up the fire escape
Take to the skies!
>>
>>28010342
>>[ ] Up the fire escape.
>>
>[X] Fire escape.

You bound up the fire escape, grabbing and leaping and clambering your way up to the top of the building, leaving them behind, leaving them struggling, swaying, grasping, flailing. Your grin could cut your face in half.

They scream at you, their rage bulging in the air. You don’t care. You make it to the edge of the roof and you just fucking jump. Next roof isn’t far. You hang in the air for a moment, the wind scolding you, your blood crashing in your veins.

You barely catch the opposite roof. Really barely. You swear and scream and drag yourself up. You feel like an angel of free will.

You descend to the streets, pushing the little button in your brain that fades you out.

You cross a few streets, take a fee turns, catch the train.

When you get back to the basement Creeper operates out of, he laughs like a weird clown and all but hugs you. You don’t know why he wanted those funk-ass pills the guys over on the other end of Queens were pushing, but it doesn’t matter.

You remember what he said that day:

“You’ll go far, boyo.”
>>
Oh god, Creeper is basically a big brother/father figure to us.
>>
You’re John James Green.

You turn sixteen in two days.

The warehouse shouts and clatters and pulses around you. People pump stuff into stuff, pills into powder, stuff into pills, death into sex into dreams into rapture. The air is thick with sweat and toil.

You’ve just gotten back from dropping a pair of tourists. Tourists have money. Now you have money.

A few faces you recognize cluster at the stairway leading down to Creeper’s office. He likes being underground. Or under ground level, anyway. You don’t understand it, but whatever. They mill about, staring at anywhere that’s not at each other, like the singular assets of a stormcloud about to belch into thunder and lightning.

>[ ] Ask what’s up.
>[ ] Stroll on through, whatever, you’ve got a cut to drop off.
>>
>>28010792
That still doesn't explain the lack of personal space
>>
>>28010797
>>[ ] Ask what’s up.
>>
>>28010809
>That still doesn't explain the lack of personal space

Creeper be creepy.

Or a homosexual. Maybe both.
>>
>>28010797
>[ ] Ask what’s up.
>>
>>28010797
>[x] Stroll on through, whatever, you’ve got a cut to drop off.

just another day at the office
>>
>>28010797
Yo, muggas, what up
>>
>>28010797
>Stroll on through, whatever, you’ve got a cut to drop off.
>>
>>28010809
I think he's just a touchy feely kinda guy
>>
>>28010797
>ask what's up
>>
>>28010792
And then everything changed when the Fire Nation attacked.
>>28010797
>[ ] Ask what’s up.
>>
>>28010797
>Stroll on through, whatever, you’ve got a cut to drop off.

Whoo! I've been out all day and I'm back at home and we're still playing!
>>
>>28010858
He was touching our thigh in the bar! There's a line man!
>>
>>28010926
Elves and lizards are meant to be pet.
>>
>>28010926
Have we ever actually seen the creeper?
Do we know for certain he's a he?
>>
>>28010950
NO FUCK YOU
I DON'T NEED THAT SHIT IN MY HEAD
>>
>>28010950
>Creeper. Or The Creeper, to some. You’ve met him more than a few times, back when you weren’t so shy of less decent work. You’d know his face by now if that were possible – you’re not sure how it works, exactly, but you can never quite see it. When you look up your gaze stops at the top of that stupid green tie he wears and just refuses to go any further. That’s his power, his mutant shtick – you don’t notice stuff about him unless he wants you to. It’s not invisibility. You just… don’t see him. Until you do.

>He is, of course, an awful crook and exactly the kind of person you’ve been trying to steer your life away from.


thread #3 homie
>>
>>28010950
Yeah, I th ought that too at first, but Crusty has me convinced that JJ would never entertain the thought so it became irrelevant.
>>
>>28010950
>Do we know for certain he's a he?

Yes. Hard to hide your gender through voice without shapeshifting powers.
>>
>>28010995
Maybe we assumed the creeper was a he.
>>
>>28011021
noticing stuff
>>
>>28011021
or powers changing them.
>>
>>28011052

I doubt that.
>>
Sorry about this long-ass wait. Posting shortly.
>>
>>28011420
You're at a half hour timing, bro, you're doing just fine
>>
>>28011420

That's fine. You're doing great this thread, and I'm fine with waiting for great content.
>>
>>28011420
No worries Crusty, we know it's getting late over there so we'll take what we can get before you call it a night.
>>
I just don't want us to wake up in gen pop
>>
>>28011510
No worries. They'll send us to a camp.
>>
>>28011527
oh thank goodness. I thought we were in real trouble
>>
>>28011546
Daisies, sunshine, and sents at mutie correction summer camp.
>>
>>28011420
Its all good i'm in the process of writing a speech that is due in 1 hour and 20 minutes online and to be presented tomorrow.
>>
>>28011566
>Daisies, sunshine, and sents at mutie correction summer camp.

It'll be like Heavyweights, but with mutants and murder instead of fat kids trying to lose weight and deal with a psychotic Ben Stiller.
>>
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>>28011584
>Ben Stiller

Nope nope nope nope nope

this is inhumane, Magneto was right!

Mutant liberation today!
>>
>>28011584
I wonder if the U-Men periodically show up to harvest some of the new crop. Would solve the over crowding problem I think.
>>
>[X] Ask what’s up.
>(1/2-3)

“Hey, guys, what’s up?” These are people who mostly cut other people into little chunks for a living, and you’re just talking to them. “You look like somebody died or something.”

Big Ed rolls his shoulders and looms over you, patting your shoulder. He’s, as one might imagine, a big guy, more tattoo than human man, more fake teeth than real, but surprisingly stringent about not getting high on one’s own supply. He has kids or something.

“Nothin’ you should be worryin’ about, bro. The Hammerhead boys’re undercutting us, tryin’ ta get into Fisk’s happy books. We’re lookin’ at a, ah, a bit of a sales dip, you know? We gotta figure how’ta keep everyone this side’a Manhattan from smellin’ blood.” He grins a row of glistening teeth. Shiny. “None’a your concern, though.”

“Yeah, I guess.” You shrug. “Good luck with that.”

Well, whatever.

You head downstairs, taking the first right, then the second, then the left. You’ve memorized the way. Creeper likes to have… passages. Another thing you don’t really get.

You come to the door. The world slips away. Black tears at you, fire-spewing. You turn the handle and sidle in, you feel yourself grinning, why are you grinning, this isn’t a time for happy, shit.

No bulbs on. Projector shunting white light against one wall. You don’t know what was playing. You didn’t notice, maybe. Shadows flicker in the corners of the room. There’s a stink like death under your nose, like gristle fed through pigs, like fat left to congeal in the sun.

Creeper’s arched over his desk, back bowed, face pressed up against the wood.
>>
>(2/3)

He looks up, bolting upright, and you see the gratuitous lines of white powder streaking across the woodwork. It hangs in the air around him like a dusty corona, almost luminous against the flashing projector-light. He looks at you, and you see him.

His face. Not his flesh, but his face. He’s an outline, his head and his hands and his bare feet filled in with buzzing. He’s made of static, made of what you get when the TV’s on but nothing’s playing. Maybe he can’t focus on his powers, maybe, whatever, doesn’t matter. Either way, you see his face. You see two glistening, bloodshot, desperate eyes staring at you from the sea of silvery static, crazed and anxious, and demonic and human. You see a fear so bright it nearly turns you way – he knows, he’s seen me, he’s seen my face. He knows.

You did know. You did see his face. Not his flesh face, but his soul. That was when everything became different somehow.
>>
>>28011757
Eep. Damn it JJ, you're supposed to knock!
>>
>>28011757

FUUUUUUUUUUUUUUUUUUUUUUUUUCKING SCARY
>>
>(3/4)
>(yes I know, absolute torrent of text)

He’s furious. He opens his mouth and spits the words out at you, it’s a torrent, it’s a tide of bile and shit, he looks at you and he says:

“Chromosome 18 is one of the twenty-three pairs of chromosomes present in human beings. It is composed along roughly eighty-five million base pairs, tallying to approximately 2.5 percent of the combined DNA in human cells. It contains somewhere between three hundred and four hundred genes, among these, the genes responsible for various genetic diseases and disorders – including but not limited to; Niemann–Pick disease, Edwards syndrome (or Trisomy 18), porphyria, Pitt–Hopkins syndrome, selective mutism, and hereditary hemorrhagic telangiectasia…”

Laura leans in from the dark, holding her candle aloft, blue flame flickering. She says:

“The Star represents hope, peace of mind, serenity, purity of essence.”

Noriko leans in from the dark, holding her candle aloft, eyes bright and unseeing.

“The Wheel represents fate, opportunity, twisting ways, dissension.”

Joyce leans in from the dark, holding her candle aloft, flesh pale and unyielding, eyes black, lips cold.

“The Tower represents disruption, calamity, disillusion, destructive transformation.”

The fire rips through you in a surge of neverness, scalding you with nothing, burning you with cold. You fall into it, unable to scream, unable to see, unable to breathe.
>>
Does anyone else picture Creeper as this guy?
>>
>>28011822
Is it Halloween already? We' ve had a running jump past 2Spooky.
>>
>>28011852
What guy?
>>
>>28011822
SHIT
WE PERSONA NOW
>>
>>28011822
Damnit. I know very little about the tarot. Anyone here know if that constituent a reading or the opening thereof?
>>
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>>28011852
Forgot the goddamn picture...
>>
>>28011881
Hmm, no, that guy's too normal and human looking I think. Also, Kimblee has the wrong kind of crazy I think.
>>
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>>28011863
It is Halloween in England now, isn't it?
>>
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>>28011869
Maybe this guy?
>>
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I always thought Creeper looked something like this.
>>
>(4/4)

Oh Jesus Christ.

You breathe in sharply.

You feel the wood beneath your hands, on your cheek, you feel yourself breathing finally, Christ, what the fuck.

You drag yourself up. Or, at the very least, you try to. There are tears in your eyes, your cheeks are wet. You feel like shit and piss.

The orphanage is still and dark around you. You’re at the end of the hall, round the corner that leads to the bathroom. Out of sight of any particularly bad doors – which is good, because you soon realize that you’ve become quite visible. Shit.

Shit.

You lie there and shake for a moment. Shit.

>[ ] Get out. You don’t want to be here anymore.
>[ ] There was that girl, look for that girl, she was in trouble or something.
>[ ] Fade out again.
>[ ] Write in.
>>
>>28011914
>It is Halloween in England now, isn't it?

Speaking of Halloween in England

>http://www.youtube.com/watch?v=-u0RQkj3Tic
>>
>>28011914
I'm in 'Murrica, so I wouldn't know without checking.
>>
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>>28011947
>>28011931
>>28011881

imo pic. the accent influenced my imagination. less bald though and normal sized head
>>
>>28011961

>Fade out again
>There was that girl
>>
>>28011961
>>[ ] There was that girl, look for that girl, she was in trouble or something.
>>
>>28011961
Take a long breath, then go for the girl.
>>
>>28011961
>[ ] There was that girl, look for that girl, she was in trouble or something.

The girl. We need to find the girl. The boy too, if we can, but at least get the girl.
>>
>>28011908
Yeah, I see what you mean. But still, I kinda remember Kimblee (or atleast Brotherhood/Manga Kimblee) having the same kind of rapist-touch tendencies as creeper. Though that could just be me grasping at straws
>>
>>28011914
Nah, Halloween's tomorrow for me.

I won't be around to quest on that particular day, so, if this arc runs on beyond tonight, it'll likely be continued on the 1st.
>>
>>28011961
>[x] Get out. You don’t want to be here anymore.

Tactical regroup. We are not prepped for this.
>>
>>28011961
>>[ ] There was that girl, look for that girl, she was in trouble or something.
>>[ ] Fade out again.
>>
>>28011961
and fade out
>>
>>28011961
Go to the toilet.
Toilets are a goldmine for ghosts.
>>
I've always imagined the Creeper like a shit-eating grin, sunglases and a heavy smoke smell.
>>
>>28011961
>[ ] There was that girl, look for that girl, she was in trouble or something.
>>
>>28011997
Damn you crusty and your partying ways.
>>
>>28011961
>[ ] Fade out again
>[ ] There was that girl, look for that girl, she was in trouble or something.
We're terrified, but we just flashed back to what it was like to be alone in a tight spot. Also what if she's pulling a Carrie when bullied?
>>
>>28011997
>so, if this arc runs on beyond tonight, it'll likely be continued on the 1st.

It'll be like the Simpson's Halloween Special.
>>
>>28011961
>>[ ] There was that girl, look for that girl, she was in trouble or something.
>>[ ] Fade out again.
>>[ ] Write in.
Use our senses to get our bearings.
>>
>>28011961
>fade out
>look for the girl
>head out
>>
>>28011961
No heading out, we aint done till were done.
>>
>>28012172
Damn right. We're an honorable hobo, we're not leaving mid ghosthunt. We might have to commit Sudoku if we did.
>>
>[X] There was that girl, look for that girl, she was in trouble or something.
>[X] Fade out again.

Everything feels distant. The walls are thin strips of shadow. You feel… muted.

You pull yourself up, leaning heavily against one of the walls, and let yourself fade into invisibility. It’s pretty easy, considering that you’re scared as balls and you desperately want to just jump out of a window.

But there’s that girl. What was she, ten?

You stumble around the corner. She’s not there, the hall is empty. But you see the thin, warm beam of a flashlight cutting through the dark up ahead, rising from below the landing. You plod after it, eventually reaching the stairs.

Why is everything so strange now? The world has this… greasy element to it. Almost like you’re seeing it through a bowl of water.

You reach the base of the stairs and see her standing in the middle of the entrance, all but balled up on her feet. She’s shining the torch this way and that, slowly approaching one of the doors to the left. Her cheeks are stained with tear-remnants.

She opens the door and steps tentatively in.

>[ ] Shadow her.
>[ ] Look somewhere else [insert].
>[ ] Leave. You’re right by the door, after all. Great time to fuck the fuck off.
>[ ] Write in.
>>
>>28012300
>>[ ] Shadow her.
>>
>>28012300
>[ ] Shadow her.
>>
>>28012300
>[ ] Shadow her.

Make sure she's safe.
>>
>>28012300
Shadow her
>>
>>28011878
no expert but I assume its our journey so far.

the star
our happy childhood

The wheel
being on the run and working with creeper

The tower
our gaining of new powers and their potential danger and recent dangerous adventures

just my opinion
>>
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>>28012300
Do you even have to ask?
>[x]shadow her
>>
>>28012420
>SHADOW
>>
>>28012300
>>[ ] Shadow her.
>>[ ] Write in.
Heat vision or night vision.
>>
>>28012300
>[ ] Shadow her.
>>
>>28012300
>CONSUME
>>
>[X] Shadow her.

You follow her in, glancing around.

The place looks like a sitting room of some kind. Spacious, carpeted, generally nice. There’s a TV against one wall and a radio sitting on a mantelpiece over one of those old-timey, likely blocked-up fireplaces. A sofa dominates the centre of the room.

You can pretty much imagine why she’d come here. If it weren’t for the enclosing dark and the psychic wringer you’d just been put through, it would’ve been pretty cosy.

She sits down on the sofa, curling up, and–

A sudden blast of sound nearly has you on your back again. The girl screams into her hands, turning what would’ve been a high-pitched alarm into a muffled, pathetic little wail.

The radio just turned on.

http://www.youtube.com/watch?v=hLhN__oEHaw

>[ ] Shit shit switch it off.
>[ ] Fry it with your taser hands.
>[ ] Look for anyone that could’ve turned it on.
>[ ] Get ooouuut of that room.
>[ ] Write in.
>>
>>28012550
Wrong quest baby.
>>
>>28012687
>Look for anyone that could’ve turned it on.
>>
>>28012687
>[x] Look for anyone that could’ve turned it on.

we're still invisible right?
>>
>>28012687
>>[ ] Look for anyone that could’ve turned it on.
>>[ ] Write in.
FUCKING HEAT VISION.
>>
>>28012687
Change the channel to something less creepy.
>>
>>28012687
>look around for anyone that could've turned it on.
With heat vision, so glad we grabbed that.
>>
>>28012712
Yes, you are.
>>
>>28012687
>>[ ] Look for anyone that could’ve turned it on.
then

>[ ] Shit shit switch it off.
>>
>>28012734
Seconded
>>
>>28012687
>[X] Look for anyone that could’ve turned it on
>[X]Use ALL the vision types!
>>
>>28012782
I think we need to hit senses lvl 4 to have heat vision run simultaneous to normal vision. Right now we have to toggle between the two.
>>
>>28012757
>>[ ] Shit shit switch it off.
Touching that bullshit, i'm not gonna mention how many horror movie rules we have broken.
>>
>>28012687
She's awake then?
"Calm down, Anna! I'm here to help"
>>
>>28012816
Stopped being a horror movie when we had the flashback, now it's some kind of psychological thriller I think?
>>
the song gave me an idea...

would Passenger be an okay Mutant name?
>>
>>28012816
>>28012757
Dont switch it off, gotta keep off the radar.
>>
>>28012815
Your point being? We do one, then the other. Not that hard.
>>
>>28012834
I thought Ann was in a coma? Or was that Claire?
>>
>>28012857

no

I like Shades better
>>
>>28012874
Claire's the one in a coma. The kids mentioned her being "her favourite", and given Anne's previous communication with the ghost, and the whole magic number thing, I just figured.
>>
>>28012857
Pretty sure we don't get to name ourself.
>>
>>28012917
Why not? Who's going to stop us? The name police?
>>
>[X] Look around in heatvision.

Holy fuck.

You girl’s scream fades away into a sob, still shut tight against her palms.

You squint, cycling the visible spectrum away, heatvision colouring your perception. You scan the room, searching for anyone that could have snuck in and switched it on – anyone that could’ve passed through the walls, or tripped it telekinetically, or anything.

The room reads normal, thermally speaking.

Until you look at the girl, and you see the colour of the world dip inwards into nothingness beside her, a sheer, black hole in heat and cold and anything standing at her side in the shape of a small person. It fluxes, seething at its edges, and–

“Help me.”

It’s a young voice. Male. Cold. Flat.

“Help me.”

>[ ] Switch to normalvision.
>[ ] Speak. Ask how.
>[ ] Just… stand there. You can’t talk with the girl around.
>[ ] Point to the radio and then to it. Try to find out it ‘he’ switched it on.
>[ ] Write in.
>>
>>28012971
>[ ] Speak. Ask how.
>>
>>28012971
>>[ ] Speak. Ask how.
"Alright, how do you want me to help you?"
>>
>>28012971
Switch to normal vision.
>>
>>28012971
>Point to the radio and then to it. Try to find out it ‘he’ switched it on.
>>
>>28012971
>[ ] Switch to normalvision.
>[ ] Speak. Ask how.
If a ghost can't be seen in normalvision, switch back to heay detection.
>>
>>28012971
>>[ ] Speak. Ask how.
Also tell the little girl that your not a bad ghost.
>>
>>28012971
>[x] Switch to normalvision.
>[x] Point to the radio and then to it. Try to find out it ‘he’ switched it on.
>>
>>28013102
Super good no one's pushing for taze the radio, that would make the kid KNOW she's in a horror movie.
>>
>>28013128
wrong person maybe?
>>
>>28013128
Hell, then the ghost might realize its in a horror movie.
>>
>>28013145
>radio suddenly turns on
>spooky ghost voice from no where
>your suggestion includes telling her we're not a spooky ghost
If we had zapped the radio, I'm pretty sure it would be impossible to talk her down. Mainly cause we'd probably blow it up or something, with a quick panicked "oh shit!" yelp.
>>
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>>28013277
"Oooohhhhh! Littttllllee girrrrllll yoooouuuu gooottttt something to eaaaaaatttt? Mayyyybbbeee a sannndddwiiiccchhh?"
>>
>>28013277
Where are you getting the part about us using our taser hands on the radio?
Plus talking to ghost is the same thing of asking how we can help him.
>>
>[X] Switch to normalvision.
>[X] Speak. Ask how.

You blink, shifting your vision back.

Gradually, a sense of consistency seeps into the dark figure, filling in the gaps with pale flesh and dark hair. It’s Alex – not dark and shadowy as he was in the corridor, but appearing as he does upstairs – clothed in loose-fitting pyjamas and strung in intravenous cables, the soft ticking of the machines hanging in the air around him. He has bright, florid green eyes. They kind of remind you of Laura’s, actually.

You bite your lip.

“How?”

Flinching, you glance at the girl… but she doesn’t respond. Her gaze is still fixed, thoroughly terrified, on the radio.

“She can’t hear you.” States Alex, or the shade of Alex, his tone leaden. “You walked through the shadow. You’re wherever I am now.”

Oh… oh, that isn’t good, is it?

“If you help me get back, though, then I can pull you back with me. Claire too.”

“…Okay.” What else can you say?

“She’s the key.” He looks at the girl. “Her mind is… different. Strong. Like mine. Like Claire’s. It can draw me back, I can feel it. Like a star pulling a planet into its orbit.”

>[ ] “How the hell can I help with that?”
>[ ] “I’m really in ghost town?”
>[ ] “Was the radio you?”
>[ ] “What happened when I walked into that dark?”
>[ ] Write in.
>>
>>28013345
thanks for the chuckle.
>>
>>28013246
Oh man, no one clue the ghost in! We've gotta have an advantage somehow, and I haven't seen any proton packs laying around.

>>28013349
It was the option like, right before this one.
>>
>>28013363
FUCK
>>
>>28013363
>[ ] “Was the radio you?”
>[ ] “What happened when I walked into that dark?”
>[ ] “How the hell can I help with that?”
>>
>>28013363
All the above plus "Whats the deal with the cold spot hand prints.
>>
>>28013363
>[ ] “How the hell can I help with that?”

Focus on rescuing the kids. THEN we can start asking questions when this is all over.
>>
>>28013363
>>[ ] “How the hell can I help with that?”
>>[ ] “I’m really in ghost town?”
>>[ ] “Was the radio you?”
>>[ ] “What happened when I walked into that dark?”

Yes.
>>
>>28013363
>>[ ] “How the hell can I help with that?”
>>[ ] “I’m really in ghost town?”
>>[ ] “Was the radio you?”
>>[ ] “What happened when I walked into that dark?”
>>[ ] Write in.
Ask him if he is a mutie.
>>
>>28013363
>[ ] “How the hell can I help with that?”
>[ ] “I’m really in ghost town?”
>[ ] “Was the radio you?”
>[ ] “What happened when I walked into that dark?”

>>28013367
Also,should correct myself,it was ONE of the options earlier, when the radio first turned on.
>>
>>28013363
:How did you end up here, anyway? Some sort of g-g-ghost drag you here?"
>>
>>28013363
>>[ ] “How the hell can I help with that?”
>>[ ] “I’m really in ghost town?”
>>[ ] “Was the radio you?”
>>[ ] “What happened when I walked into that dark?”
everything
>>
>>28013363
>[X] "How the hell can I help with that?"
>>
>>28013363
Ok, if we're going to say all this out loud, we might as well introduce ourselves to the girl and calm her down.
>>
>>28013438
Hmm, I wonder if we're talking to Alex or the guy that dragged him away?
>>
>>28013484
>"She can't hear you."
She. Can't. Hear. You.
>>
>>28013484
>we might as well introduce ourselves to the girl and calm her down.

How? She can't see or hear us.
>>
>>28013484
She can't hear us. Work on your reading comprehension.
>>
>>28013484
>“She can’t hear you.
>>
>>28013497
What if there was no ghost? what if his mutie power is opening portals to the Shadow Plane?

Or he could be the g-g-ghost masquerading as Alex.
>>
>>28013363
>If your mind was strong, and Claire's was strong, why are you two both... comatose?
>How do I know you're really Alex?
>>
>>28013549

Or his subconscious/malicious emotions have manifested itself as an unchecked monster in the world where it has access to dreams & shit.
>>
>[X] All.

“…I’m really in ghost town?”

“I don’t call it that, but yes.” Alex watches the girl as she eases herself off the sofa. “Now, quickly, you must help me.”

“Was the radio you?” You ask. You feel you have the right to know, seeing as it nearly gave you a heart attack.

“No. Maybe it was Claire?”

“What happened when I walked into that dark?” That’s probably the question you most want answered. You… you didn’t want to see all of that again.

He shrugs.

“I don’t know. The space between the soul and the mind? The record at the heart of time? Hell? Heaven? Purgatory? There’s much I don’t understand. What did you see?”

“You know… some stuff.” You swallow, and, in one of your less glorious moments, decide to focus on the less disturbing of the disturbing crap: “Um, these three girls I know… appeared. And said stuff, about… stuff. Destiny. Fate. Other stuff.”

“Three wise ladies are commonly associated with the management of destiny." States Alex, a ponderous tone to his voice. "Perhaps the Moirai appeared to you in familiar shapes? Or Morrigan and her sisters? Now, help me.”

What.

“Yeah, uh, how can I possibly help? I’m not really much of a psychic.”

“You don’t have to be.” He remarks, watching the girl tread towards the radio. “Anne could draw me in, but I’ve been in this place too long. I’m… further out… than you. I need a bridge-soul. A person in this place to act as intermediary between my mind and hers.”

>[ ] “…Alright.”
>[ ] “That sounds kinda dangerous. Did you try this with Claire too?”
>[ ] Write in.
>>
>>28013774
>>[ ] “That sounds kinda dangerous. Did you try this with Claire too?”
>>
>>28013774
>>[ ] “That sounds kinda dangerous. Did you try this with Claire too?”
>>
>>28013774
>[ ] “That sounds kinda dangerous. Did you try this with Claire too?”

"But I'm still willing to help."
>>
>>28013774
>[x] “That sounds kinda dangerous. Did you try this with Claire too?”
Motherfucker knows way too much for a teenager.
>>
>>28013774
>>[ ] “That sounds kinda dangerous. Did you try this with Claire too?”
>>
>>28013774
>[x]Ok...any potential downsides to this I should know about?
>>
>>28013828
He's actually not a teenager. You're not certain of his age, but he looks about twelve or eleven.
>>
>>28013774
>ok, who are you really
>>
>>28013774
>[x] “That sounds kinda dangerous. Did you try this with Claire too?”
>>
>>28013828
>>28013869
Seriously, though. He's being way too knowledgeable and speaking way too intelligently for a normal kid in an orphanage. Not even a well to do orphanage. I straight suspicious yo.
>>
>>28013774
Yeah, lots of twelve year olds are familiar with the Moirai. What are the Moirai? Anyway, point is, I ain't fallen for it, bozo.
>>
>>28013774
>[ ] “That sounds kinda dangerous. Did you try this with Claire too?”
>[ ] But here's a problem. you don't talk like a kid.
>>
>>28013960
>Anyway, point is, I ain't fallen for it, bozo.

If he isn't who he says he is, how the fuck are we gonna get out of here?
>>
>>28013960
>>28013960
The fates.
Past, present, future.
>>
>>28013990
Presumably by killing him with our electrostatic powers.
>>
>>28013960
Dats Disney shit nigga.
>>
>>28014015
Is the Morrigan Disney shit too?
>>
>>28014029
Brave was Celtic, so I guess so.
>>
>>28014015
Morrigan's sisters, or any crone figure really, is straight up occult shit. Aleister Crowley occult shit.
>>
>[X] “That sounds kinda dangerous.”

“Okay…”

Okay, you heard a lot of mumbo-jumbo there. But you’re pretty sure you heard something about using a soul – or a mind or whatever – as a bridge.

“…That sounds kinda dangerous.” Soul as a bridge. Bridges can, like, collapse under heavy loads. Or you can fall off them. Or be pushed. “Did you try this with Claire too?”

He nods.

“Regretfully, yes. I didn’t understand as much as I do now. I understand many things now.” He eyes Anne as she tries in vain to switch off the radio. The music keeps on coming. “I didn’t have an anchor then. I was already too weak, and I failed. I ended up trapping us both. But now you are here.”

Yeah. Funny how that worked out.

“Now, help me. Give me your hand.”

>[ ] “…I guess it’s my only way back.”
>[ ] “Yeah, no, it really isn’t sounding like such a great idea.”
>[ ] “Yeah, no. You’re no kid. Who the hell are you?
>[ ] Write in.
>>
>>28014063
>>[ ] “Yeah, no. You’re no kid. Who the hell are you?"
Not falling for it.
>>
>>28014029
Hercules
>>
>>28014063
>>[ ] “Yeah, no. You’re no kid. Who the hell are you?
>>
>>28014063
>[ ] “Yeah, no. You’re no kid. Who the hell are you?
>>
>>28014090
I'm reasonably certain that the Morrigan did not show up in Hercules.
>>
>>28014063
>“…I guess it’s my only way back.”

Then we can scare Layla for Halloween with 2spoopy goast stories.
>>
>>28014063
"Well where the hell is Claire now? You're not planning on ditching her here, are you?"
>>
>>28014063
Or rahter, "Where's Claire? How are we gonna get her out?"

Keeping our hand hidden till we get as much info as possible would be the best choice. Pity we are forcing the issue.
>>
>>28014127
>>28014133
Yeah this.

It's an important issue to consider.
>>
>>28014063
>[x] Write in.

Where's Claire?
>>
>>28014111
Especially because she's Irish, not Greek. Moirai, on the other hand, is the Greek name for the Fates.
>>
just a note, the children who are being wandering souls still seem to have their real bodies in the physical world, that might be a concern for us.
>>
>>28014133
What if we accidentally make a deal? Ever watch Disney's Princess and the frog? We gotta be careful around Keith David.
>>
>>28014106
My vote was this, would change it to >>28014133
And to prove it was mine, I'll delete it as soon as possible.
One vote CAN make the difference.
>>
>>28014196
I am aware.
>>
things this thing could be: Nightmare, Amahl Farouk, Mephisto, something worse. None of them good. Also Crusty, thank you for creeping me the absolute hell out tonight. I didn't need to sleep or anything.
>>
>>28014287
Assuming this is a pre-existing property and not an OC like JJ or Creeper.

Being a mutant, Farouk is most likely. But we're proper fucked if that is him.
>>
>[X] Write in.

“Where’s Claire? How are we gonna get her out?”

As far as you can tell, there’s only one ghost kid in the room. And even that might be a generous counting.

He shrugs.

“I don’t know. She can’t leave the house, though.”

He extends his hand.

“Take my hand and serve as our bridge. I can pull us all through the conduit Anne provides. We can all go home. Which is what we all want, isn’t it? Do you really want to be out in the cold forever?”

>[ ] “…I guess it’s my only way back.”
>[ ] “Yeah, no, it really isn’t sounding like such a great idea.”
>[ ] “Yeah, no. You’re no kid. Who the hell are you?
>[ ] “Maybe we should find Claire first. Just to be sure, you know? Better safe than sorry.”
>[ ] Write in.
>>
>>28014376
>>[ ] “Maybe we should find Claire first. Just to be sure, you know? Better safe than sorry.”
>>
>>28014376
>>[ ] “Yeah, no. You’re no kid. Who the hell are you?
Again, I am not buying this shit.
>>
>>28014376
>[ ] “Yeah, no. You’re no kid. Who the hell are you?
>>
>>28014376
>>[ ] “Yeah, no. You’re no kid. Who the hell are you?
>>
>[ ] “Maybe we should find Claire first. Just to be sure, you know? Better safe than sorry.”

gotta find the girl. I don't trust this thing at all.
>>
>>28014376
>[ ] “Maybe we should find Claire first. Just to be sure, you know? Better safe than sorry.”
Before we totally call bull in the open, we gotta find those souls.
>>
>>28014376
>He shrugs.
>[x]Yeah, no. That's WAY too fucking callous, Who are you, exactly?
>>
>>28014395
>>28014376
Know what? changing to
>[ ] “Yeah, no. You’re no kid. Who the hell are you?
>>
>[X] “Yeah, no. You’re no kid.”

Right then. That is way, way too callous for your liking.

You take a step back, swallowing hard. He furrows his brow at you.

“Yeah, no.” He had you going for a while there, but really? Really? All that… mystic talk? “You’re no kid. Who the hell are you?”

His eyes droop and he lets his lip quiver.

“But… but I am a child. I’m lost, I need you to get home.”

You stand still. You’re not having it. He puppydogs you with those brilliant greens for almost a minute, before, finally, he simply sighs.

A smile curls at his lips.

“Well, I suppose I became somewhat hasty there.” His voice. It’s different. You can’t say how, but… it just doesn’t feel right. “Do you like the eyes, Jonathan? I’m wearing them just for you.”

>[ ] “They’re lovely. Now tell me what the hell’s going on.”
>[ ] “I asked you who you are.”
>[ ] Let’s see if taser hands work in ghost town.
>[ ] Write in.
>>
>>28014618
"Well, you have shit tastes. So, you gonna elaborate or what?"
>>
>>28014618
>[ ] “They’re lovely. Now tell me what the hell’s going on.”

"Like a pair of fucking emeralds, now who are you?"
>>
>>28014618
>>[ ] “They’re lovely. Now tell me what the hell’s going on.”
>>
>>28014618
>[x] “They’re lovely. Now tell me what the hell’s going on.”
>>
>>28014618
>Do not look directly into the "kid's" eyes!
> "They're lovely, now would you mind telling me what's going on?"
>>
I bet it's the Phoenix Force.

Or at least we'll encounter it at some point.
>>
>>28014696
I thought Pheonix was Jean Gray?
>>
>>28014618
>[ ] “They’re lovely. Why? But more importantly, now tell me what the hell’s going on.”
>[ ] “I asked you who you are.”
>>
>>28014618
>>[ ] “They’re lovely. Now tell me what the hell’s going on.”
Why do you know my name?
>>
>>28014618
"Name's JJ, or John. You'd know this if you had burrowed deep enough in my mind, mate."
[gloat, you precocious fuck]
"Nice trick, though. Really had me going. Now, let's cut the bullshit. Who. Are. You.
>>
>>28014713
It's more complicated than that. This isn't the Phoenix though, not sure where anon got that idea. Maybe the kid using Laura eyes?
>>
>>28014618
We can talk, but if he tries to be a bitch about it or tries to boogy out we fucking taze him.
>>
>[X] “They’re lovely. Now tell me what the hell’s going on.”

“They’re lovely.” You spit out, still feeling the faint urge to back away from the tiny apparition.

‘Alex’ folds his hands behind his back, striding over to unsuspecting Anne – who has moved on to straight-up unplugging the radio, to no avail – and coming… coming an inch from touching her, his finger hovering above her shoulder, as if drawn away at the last second by some inexorable, strange gravity.

He looks at her with a desire in his eyes like nothing you know. It’s not sexual. It’s not… physical in the least. What ferments in those perfect replicas of Laura’s eyes might be something you simply don’t understand on any level. Something inhuman.

“Now tell me what the hell’s going on.”

He turns his gaze back to you. You feel yourself shrink as time, vast and merciless, uncoils in his eyes. It’s a sense of smallness that defies description, something that gnaws at the very roots of fear – beyond fear of death, of disgrace, of dark, of damnation. Just fear, pure and unmitigated by material experience.

This… this doesn’t feel like a mutant.

“What’s going on, Jonathan – or JJ, I suppose, if you prefer it – is that these children are my way out of here. And I am yours, now that you’ve gotten yourself all good and stuck.”

He extends his hand once more.

“Take my hand. I require meat and you require a way back. I’m offering you a deal that I can’t renege on, a deal that you need.”

>[ ] “Who… or what… are you?”
>[ ] “Why do you need all three of them? Three’s the magic number, right?”
>[ ] “Eat shit.” Taserhands.
>[ ] Write in.
>>
>>28014941
>[ ] “Eat shit.” Taserhands.
Ancient evils aren't necessarily powerful.
>>
>>28014941
>>[ ] “Why do you need all three of them? Three’s the magic number, right?”
>>
>>28014941
>“Who… or what… are you?”
>>[ ] “Why do you need all three of them? Three’s the magic number, right?”

Wait for a response
>taser hands
>>
>>28014941
>[ ] “Who… or what… are you?”

"You don't feel like a mutant. So, mind introducing yourself to the guy who can help you get out of here?"
>>
>>28014941
Thrice I ask you and be damned!
>[ ] “Who… or what… are you?”
>[ ] “Why do you need all three of them? Three’s the magic number, right?”
>>
>>28014941

>TAZER
>>
>>28014977

seconding

we get information THEN we zap the bastard
>>
>>28014941
Can we gut punch while tasering?
>>
>>28014941
>[ ] “Who… or what… are you?”
>[ ] “Why do you need all three of them? Three’s the magic number, right?”
>>
>>28014941
>[x] “Who… or what… are you?”

Stall Stall Stall Stall Stall Stall Stall Stall Stall Stall Stall Stall Stall Stall Stall Stall Stall Stall Stall Stall Stall Stall Stall Stall Stall Stall Stall Stall Stall Stall
>>
File: 1383108283692.gif-(967 KB, 265x170, Fire Emblem 8.gif)
967 KB
967 KB GIF
>>28014941
>So your psychic ass is so big that you need three kids to manifest in the physical world or what
>Sure, I'll play along
>PSYCHE!
>[X] “Eat shit.” Taserhands.
>>
>>28015055
what would god need with a starship?
>>
>>28014941
Taser hands requires voluntarily physical contact, and that's his bridge out. So no.

>"why do you need three of them? Three's the magic number right?"
>>
>>28015163
I doubt he can form a link if we're punching his gut with our electrified fists.
>>
>>28015163
You never know with the aethery shit. Besides, we don't really have a body here either. Perhaps what he needs is for us to tacitly accept his authority and dominion over us.
>>
>>28014941

Love you Crusty. Have you been up all night for us?
>>
>>28015163
>"why do you need three of them? Three's the magic number right?"

Good question. Ask it, along with the other stuff.
>>
>[X] “Who… or what… are you?”
>[X] “Why do you need all three of them? Three’s the magic number, right?”

“Who… or what… are you?”

What the hell have you stumbled into? Something worse than Creeper, that’s for sure. Creeper is a man. This thing isn’t a man.

“I’ve had a few names.” He replies, rather smugly. “What I am, exactly, is a matter of discussion for the holy men and women of your world. When I fell from Heaven I was but a feather upon the wing of King Beleth, but I like to believe that I’ve matured somewhat. More important than what I am is what I should be.”

He smiles longingly. Caringly. Lovingly.

“I don’t deserve to be here.” He reaches out and… and just about doesn’t touch Anne. Just. Is he getting closer? “I deserve what you have far more sorely than any of you. I deserve to have your flesh, to feel and fuck and kill and eat and dream. You spent a minute or two in the dark. I have spent eons there, and I will not tolerate an hour more.”

What the hell is he telling you? Is he telling you he’s a demon? What… how is this even…

“What… uh, why do you need all three of them?” You’re stalling now. You hope he can’t tell. He? It? “Three’s the magic number, right?”

“I am magnitudes greater than any one man or woman.” Right. Okay. You suspected something along those lines. “My essence cannot be contained within a single body. Now, your hand, please, and your consent. I do not need you, JJ, but I am willing to help you if it expedites my ascension. I could even sweeten the deal somewhat.”

>[ ] “Fine. It’s not like I have a choice.”
>[ ] "Sweeten the deal?"
>[ ] “Eat shit.” Taserhands.
>[ ] “Eat shit.” [insert action]
>[ ] Write in.
>>
>>28015368
I pretty much have, yeah.

This is really enjoyable to write, though. I'm feeling much more in my element than in a few previous threads.
>>
>>28015376
>Needs consent
>Totes just a minor demon
Tazerhands?
Tazergutpunch.
>>
>>28015376
>>[ ] “Eat shit.” Taserhands.
>>
>>28015376
>>[ ] “Eat shit.” Taserhands.
>>
>>28015376
>>[ ] “Eat shit.” [insert action]

haul ass

I hope somebody saves us. I don't care how D list they are
>>
"I like to think i have come far from when i was hiding from the world"
Tazergutpunchclawbitekick.
>>
>>28015376
>[x] "Sweeten the deal?"
OK, now you got MY attention.
>>
>>28015376
>[x] "Sweeten the deal?"
>>
>>28015376
>"No way, I may be a dirty hobo piece of shit but even I know better not to make deals with the devil."
>>
>>28015376
>Taser Hands
BY THE TASER-Y HANDS OF THE VISHANTI!
>>
>>28015376
No tazer. We're obviously dealing with something magical here. If three is the magic number, I say we go find Claire, touch Anne, and make our own three.
>>
>>28015376
>[ ] “Eat shit.” Taserhands
We're attacking, not making a deal, we should be fine.
>>
>>28015376
>[ ] "Sweeten the deal?"

lets hear the Fallen ones deal then we can zap it
>>
>>28015455
c'mon tripguy
powersssssss
>>
>>28015429
this. he don't get to touch us.
>>
>>28015376
>"Nope." turn around and leave, look for the other "vessels"

He's a fucking demon, taser hands ain't gonna do shit. Or he's a hallucination and we're gonna burn down the house.
>>
>>28015471
Wait... WAIT. Let's find our trinity! Specifically, who appeared as the Fates! Except Joyce might be hard to find.
>>
>>28015471
Well, if our hiding powers felt easier to use here due to our emotional condition, then perhaps the power we exert in this astral thingy is not directly related to our physical progress but rather our belief in what we can do. Know that this is a fortress built out of belief and all that.

So, if we think and feel we can hurt him, perhaps we can.
>>
>>28015412
Even Lucifer in supernatural needed consent. I wouldn't trust this thing as far as we could throw it. And that's probably not very far.
>>
>>28015532
Still means we can punch it.
>>
>>28015558
Is punching it a good idea though? Ah fuck it just punch the thing.
>>
>>28015376
FUCKING NOPE
>>
>>28015577
Punching is a good test of things, but if fight doesn't work, then we can try flight.
>>
Do not tazer Satan(?)

do not even fucking touch him. he wants us to touch him.

we must play keep away with our soul

find the kids and gtfo with that 3 thing
>>
>>28015376
Flip him off and run.
>>
>>28015630
Needs consent, punching is not consent, but if you want to run I can settle for suckerpunch->run.
>>
>>28015630
yeah...Gonna have to agree. Touching mutant satan is clearly a bad move.
>>
>>28015659
There are no unbeatable enemies, only enemies you're to chicken shit to fight.
>>
>>28015689
Cowards live longer.

Standing up to Creeper is one thing but demon touch man is another level.
>>
>>28015689
There are, however, some enemies that require you to go get a bigger gun. Or air support.
>>
>>28015707
>>28015711
Dude, new mutants spent time in hell, they killed plenty of demons.

Demons are pretty low on the totem pole.
>>
>>28015711
This.

If we had some sorta instakill thing phase bros pls. we could gib him. Then I'd be down.
>>
>>28015736
Tazing someone multiple times is pretty killy.
>>
>>28015730
We're not the New Mutants.

I'm not sure what he's fully capable of and I don't really wanna find out if we don't have to.

We can't regrow limbs man! Healing factor lv 1 only does so much
>>
>>28015711
Gotta test to see how much we need.
>>
>>28015753
A demon? Not so much.
>>
>>28015767
Most of the new mutants kind of suck ass though.
>>28015783
Combined with a half ton of punching force?
>>
>>28015795
we can fail to meet DC with the best of them!

and it depends on the demon

Not saying never ever fight him. Just rather not if we don't have to. We don't know what he can do.
>>
>>28015795
>only a half-ton of punching force
Probably not gonna cut it.
>>
>>28015848
That's just what pro fighters put out supposedly, which I'm not sure we are, but we still have more muscular strength than we know what to do with.
>>
>>28015843
>We don't know what he can do.
And how do you find out what he can do?
Punch him in the adams apple.
>>
>[X] Taserhands.

Every nerve in your body tells you that, yes, the deal will be sweet. Your genetics sing it, your inner mind echoes it. But, in the end, you’re going to have to go with:

“Eat shit.”

You grab the snotty little demon-kid-Alex-thing’s wrist and turn on the power.

…And nothing happens.

“Trying to zap me, JJ?” Asks ‘Alex’, feigning a child’s earnest helpfulness. “The interactions required for such a thing to occur cannot take place here. This place is thought, not physics.”

Without hesitating, he bludgeons you across the face with the back of his hand. It’s not a child’s swing. You feel yourself sail through the ether, coming down hard on the desk set against the far end of the room.

Anne screams and falls over herself, clutching at her shoulders and crying.

“Please! Please, just leave me alone!”

A strange replica of concern on his face, the Alex thing kneels down beside her.

“I was going to help you, JJ. I didn’t have to. Honestly, I felt that we were one and the same.” He strokes the air above her head. “Fallen, lost creatures, far from home. Unwanted by our fellows, unloved by our fathers,”–

You shut your eyes and try not to listen. He’s a demon, right? Or something pretending to be one?

Demons lie. Demons lie.

–“lost forever to our siblings. I would go home, too, if I could. But I can’t. So I will make do.”

His voice shifts.

“Anne. It’s me, Annie.”

She looks about, still breathing between heavy sobs.

“…Alex?”

“Yes, it’s Alex. Anne, Annie, you need to help me. I’m stuck. I always thought you were the prettiest, Annie, and now I need you to save me…”

“Where… where are you?”

“I’m lost. Follow my voice, Annie. I need your help. I need you, Annie…”

>[ ] “Get the hell away from her.” [insert some kind of attack]
>[ ] Just try to jump on him.
>[ ] Try calling out to her like he’s doing [insert dialogue]
>[ ] Write in.
>>
>>28015953
>>[ ] Try calling out to her like he’s doing [insert dialogue]
"Anne, that's not Alex."
>>
>>28015953
>[ ] “Get the hell away from her.” [insert some kind of attack]
This is a place of Thought, right? So lets just imagine that we can do Sith Lightning REALLY REALLY HARD! And try to Sith Lightning him.
>>
>>28015968
Go with this. Then picture him getting smashed in the face by a truck. Fucking shit works based off thought? THINK THEN. BEAT HIM WITH YOUR MIND.
>>
>>28015953
Do our claws still work? Let's stab him with our claws.
>>
>>28015953
>[ ] Try calling out to her like he’s doing [insert dialogue]

"He's the man in the dark! He doesn't want to help you! He's using you!"
>>
>>28015953
>[ ] “Get the hell away from her.” [insert some kind of attack]
Use your long finger claws
>>
>>28015953
>[x] Try calling out to her like he’s doing [insert dialogue]
"He's lying! It's not Alex Anne!"


>[x] “Get the hell away from her.” [insert some kind of attack]

Kick him right in the face!
>>
>>28016011
>Do our claws still work? Let's stab him with our claws.

Why?

>>28015953
>This place is thought, not physics.”
>>
>>28015953
>>[ ] “Get the hell away from her.” [insert some kind of attack]
Like the thing said, this place is thought. We don't need powers as long as we THINK we're strong. Pick the little shit up and toss him out of the room.
>>
>>28015997
I will agree with this. Alongside calling out to her.
>>
>>28016034
He backhanded us. That means hands still work.
>>
>>28015997
>>28016006
Too simple. Too kind. Show him our hell. Show him our fears. Make him live them. If there is one thing a man can always remember, it's his nightmares.
>>
>>28015953
>[ ] Try calling out to her like he’s doing ["He's not Alex!"]
>[ ] “Get the hell away from her.” [Draw upon our Spirit Animal/Big Sister and unleash a Porcelain Punch]
>>
>>28015997
>>28016006
>“You’ll be alright, James. You’re not just anyone.”
>>
>>28016055
He's satan or some form of demon, he'll think it's a kiddy book
>>
>>28016075
Powered by the momma's love.
>>
>>28016087
Then we make a demon feel fear. We ain't some sunday school boy. We can make him taste it.
>>
>>28016087
Let's hit him with pure Grade A sappy as fuck Love.
>>
>>28016073
Shit, let's use our friends as totems too. We believe in them, let's picture their strength backing us!
>>
>Willpower Check
>DC15
>+2 modifier for >>28016075
>>
Rolled 11 + 2

>>28016157
Rolling
>>
Rolled 19

>>28016157
Scared!
>>
Rolled 4

>>28016157
Oh yeah love fist
>>
Rolled 6 + 2

>>28016157
Spirit Animal guide our strike!
>>
Rolled 10

>>28016157
>>28016166
Fuck yeah.
>>
Rolled 9

>>28016157
>>
>>28016166
Not scared anymore!
>>
>>28016166
Yes. YES!
>>
File: 1383112494864.jpg-(232 KB, 500x625, I Want That.jpg)
232 KB
232 KB JPG
>>28016166

Fuck yes.
>>
>>28016166
The dice gods have spoken
>>
>>28016166
Ain't scared of shit today friend!
>>
>>28016234
or, perhaps, "I ain't scared of no ghost."
>>
>>28016246
http://www.youtube.com/watch?v=m9We2XsVZfc
IT'S THEME SONG TIME.
We need to make this play over some mental stereo so this demon fucker can hear it.
>>
>>28016246
>>28016234
I'm pretty sure we're scared shitless, but harming kids? That doesn't fly, man.
>>
>>28016270
Oh, excellent, we can troll his ass
>>
>>28016166
TAKE THIS! MY LOVE, MY ANGER, AND ALL OF MY SORROW!
>>
>>28016283
Now we're talkin.
>>
>>28016294
Maybe we should dance just to rub it in. And horribly at that.
>>
>>28016307
Perfect. Then we put him in a head lock and start punching him to the beat. It's PERFECT.
>>
>>28016307
Gloating might not be the best idea when we're fighting something that we've had no experience with before.
>>
>>28016327
Sssssh, Anon, it's wrenloft. No tears now, only dreams.
>>
>>28016327
We're not gloating, we're trying to annoy him. It's like spiderman and his quips to irritate his foes
>>
>>28016307
>Implying we should hum "Devil went down to Georgia".
>>
Archive when, Crusty?

Near the end of the page.
>>
>>28016327
But it could boost our confidence and allow us to do it again, since we "know" it will work. We're accessing the WAAAGH! now, folks.
>>
>>28016360
never heard that one before
>>
>>28016379
Wut.
Become enlightened, friend.
http://m.youtube.com/watch?v=tnepPZChA5U&desktop_uri=%2Fwatch%3Fv%3DtnepPZChA5U
>>
>>28016379
Holy shit what? C'mon. 3/10 got me to reply.
>>
>>28016087
He's not Satan, he's just a piece of an Angel's wing too smalltime to even have a proper name.
>>
>>28016379
... Just.

What?
>>
>>28016166
>modified 20
>nicely done

“Get the hell away from her!”

You’re pissed. You’re terrified and you’re pissed. The former more than the latter, but you have enough anger in you to drag yourself up.

You fling yourself at him. It.

Your mind blasts through a storm of images. You’re fighting a demon. You’re probably going to die. You’re going to die. You let your memories clothe your last, furious moments, wrapping them around you, adorning your fists with them, clouding your brain with them. You hone in on one instant, one instant surrounded by death and ending, one thing to burn up your head with, one shield.

You’ll be alright, John. You’re not just anyone.

You’ll be alright. Alright. You’ll be alright.

You bear him down to the ground, wrapping your hands around his neck. Your fingers bleed arcs of electricity, less the reality than the thought of it, elemental and raw, surging through you and through him. He grimaces and snarls – he snarls, like an animal – into your face, revealing a maw full of serrated, blackened teeth.

“Fine. The road most bloody, then.”

His hands close around your arms and he pulls hard.

>[ ] Hold on.
>[ ] Let go.
>[ ] Use a new memory/thought [insert].
>[ ] Write in.
>>
>>28016471
>[ ] Hold on.
>>
>>28016471
>Use a new memory/thought [insert].

>Implying thinking of Joyce getting RPG'd isn't enough units of mad to melt the sun and make Sentry piss his pants.
>>
>>28016471
HIT HIM WITH THE FIRE.
DO NOT LET GO. RIDE THE TRAIN FELLAS. CHOO CHOOOOOO.
>>
>>28016424
Huh, that's pretty catchy. Thanks.
>>28016471
>[ ] Use a new memory/thought [insert].
Laura, slicing through his arm.
>>
>>28016471
grow claws
slash his face
>>
>>28016471
>[ ] Hold on.
>>
>>28016471
>[ ] Use a new memory/thought [insert].

Think of everyone relying on us. Think of the people we've lost. Think of that little girl we're trying to protect.

If we die, we'll make him pay for it.
>>
>>28016471
>[ ] Use a new memory/thought [insert].

The memory that we felt when we accidentally melted Laura's hand off.
>>
>>28016537
I thought that was Kevin?
>>
>>28016545
>I thought that was Kevin?

No, it was us.
>>
>>28016471
Think of Layla. How we totally promised her we'd help her, and our new family. We;ve got something now, something good.
>>
>>28016471
>use a new memory
He's a demon right? Hit him with love/honor/resolve. Hit him with Joyce saving us, and blend in the memory of her smiling on that day at the beach from our picture, from so long ago.
>>
>>28016500
This is what I was saying earlier. We call up every memory/person we believe in and smite this bastard. Joyce beating him down, Laura ninja-evicerating him, Noriko electro-nuking him, Wither in the wrestling team, the works.
>>
>>28016471
Maybe add in a quip?

"Man, dentists must have a field day with you."
>>
>>28016567
Oh sure. Let's just hit him with rainbow light bright powers. Get that shit outta heeeeeeere. That's as bad as rainbows in shadowquest.
>>
>>28016471
>[x] Use a new memory/thought [insert].
Our first day at the Daily Bugle, how insignifcant, small, powerless we felt. Our brief outburst of despair, sadness and those grim things.
Leave Batman out of it, though.

Finally, the 1s work in our favor!
>>
>>28016524
No problem.

>>28016577
>"I believe in the friends that believe in me!"
>>
>>28016471
>>[ ] Hold on.
>[ ] Use a new memory/thought [insert].
>"Joyce fought to the end."
>>
>>28016471
>[x] Use a new memory/thought [insert].
>>
>>28016562
No, I'm pretty sure we burned her throat out.
>>
>>28016619

Ooh, I like this. Inspired by our sister's show of resilience and strength, we find our own and use it against him.

(Kind of a faggy explanation, I know, but you can see what I mean)
>>
>>28016471
Laura caressing ours hands.
Our "familie's" faith in pur strength
>>
>>28016619
Eh, I can get behind that.
>>
>>28016633
Yeah,we did that, Kevin melted her hand-flesh.
>>
>>28016471
Hold on.

Let's try a positive memory, see if that works better or worse. He is a demon, after all. Laura caressing our hands. Playing with our sister. Something like that.
>>
Ok, so I has a list.

>"Joyce fought to the end."

then
Laura snarling back at him while slicing off an arm.

then
Kevin withering the other arm.

then
Noriko zapping him

then Spiderman webbing him up

then Layla kicks him in the nads.

sound good?
>>
>>28016500
>>28016619
>>28016640
>>28016647

>Willpower Check
>DC16
>+3 modifier
>>
Rolled 14

>>28016698
>>
Rolled 7 + 3

>>28016698
Rolling
>>
Rolled 12 + 3

>>28016698
FOR HONOR!
>>
Rolled 3 + 4

>>28016698
Believe in me who believes in you and all that jazz.
>>
>>28016708
So far so good.
>>
Rolled 6

>>28016698
Team Hobo is go
>>
>>28016708
barely
>>
>>28016694
I think we're burning memories to fuel attacks, not summoning mental constructs (that seems way more advanced than something we could do). So I think we should be using powerful memories that preferably won't distract us or weaken our resolve.
>>
>>28016708
Yeah!

We got a good roll.
>>
>>28016708
Phew!
>>
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We're scared out of our minds but do it anyway! People are counting on us! The things we do for love!

We Courage Cowardly Dog!
>>
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>>28016810
Stupid dog, made me look bad.
>>
So I can't keep updated on this at the moment, but next memory if needed.
When we told sis we wanted to be just like her.
Kinda fulfilling that right now.
>>
>>28016871
minus the dying(we don't know she's alive in universe I think) part
>>
>>28016891
We "know" in that we're adamant she's alive, we just need to find her. This came up when we talked to Laura.
>>
>>28016891
But JJ has hope that she is.
Even if she's crossed over, she lives on in our heart.

But more importantly, she lives on in our guts.
>>
>>28016928
There's denial and there's knowing.

oh and if we try a happy memory next. I recommend when we comforted Laura after she freaked out when we name dropped Kimura
>>
>>28016928
There's a difference between faith and certainty, right now I think JJ has a lot of faith in his sister but not much certainty given how long it's been since he's seen Joyce.
>>
>>28016944
large intestine or small intestine?
>>
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>>28016944
>>28016971
These kind.
>>
>>28016708
>17
>bruddy good

God, he’s strong. He attacks you with an age of black bile. Your arms quiver and cold snaps at your tendons, slipping between your thoughts, weakening you. You feel him beginning to pry your arms away, the lightning fading, heat dwindling.

“Annie!” He hisses out, in Alex’s voice. “Annie, I’m in the basement! Under the stairs. That’s where he took me, Annie! You need to go in there! You need to”–

He trails off into a scream of pain and rage. Your sister explodes in your mind. Her fist arcs through the air and her arms hurl you to safety. You fly across the lake, pain and shame and guilt eating at you like a fire inside, churning through you, burning with nightmare heat. Your storm is red and angry and hateful. Your lightning is a mess of arcing, crimson scrawls, searing through whatever he has for flesh, burning him just as sure as it burns you.

“Fine!” Alex seeps inward into a crawling, black absence of form. “Fine!”

The voice is a crashing, thundering thing, a doom at the heart of stars, the world collapsing on its edge.

“An enemy you can’t hope to defeat, then!”

You push down. Can’t hope to defeat? Bullshi–

The black mass swats you aside with casual ease. You tumble across the floorboards, your ribs screaming complaints at you. The seething nothing congeals, lapping up definition, folding itself into form, and you look up…

At a green-eyed you.

http://www.youtube.com/watch?v=6psnrd6m6qQ

--------------------------------------------------------------

>THREAD 20: END

>Congratulations! You earned an X-point! X-points can be used to purchase additional mutations or upgrade existing ones!
>Congratulations! Things didn’t get too spooky for you!
>Congratulations! You’re facing yourself!

Homeless Mutant Quest will likely return on the 1st. Until then, stay updated with twitter: https://twitter.com/CrustyJay
>>
>>28016957
>>28016970
There's being in denial and there's never giving up hope. And where we are, we don't need certaintiy, we have 3 paladin's worth of faith coursing through our mutie heart.
>>
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>>28016994
>Congratulations! You’re facing yourself!

That pussy? We got this by the ass
>>
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>>28016992
Those are weak guts.

Behold, real guts (and hard work).
>>
>>28017027
Agreed.
ALSO PHASING TIME. FOR THE LOVE OF GOD PHASING.
>>
>>28016994
"I can only assume you're doing this just as an excuse to see a slap fight."
>>
>>28016994
bank it,

Green eyed jj, dear lord the fusion of Laura andJJ
>>
>>28017021
Either way, when we inevitably find out what happened to her after we saw her last, there are going to be feels. I'm looking forward to it
>>
Man, so much went down in this thread.

I'm straining to fit it all into the archive description, hah.
>>
>>28017028
I hevent seen it.

But now I'm going to.
>>
>>28017085
looks like somebody archived it already...or you did it earlier and you forgot.

descrip for it is fitting anyway
>>
>>28016994
Green-eyes is mad jelly if he's copying us. But I'd be worried if he copied Laura. Or Kevin. Layla might even be able to take us.
>>
>>28017028
who dat?
>>
>>28017105
Oh fabulous.

Many props to that anon.

>>28017119
Nono. Protagonist of Diebuster, sequel to Gunbuster. Both are well worth a watch.


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